UID:
almahu_9949178853802882
Umfang:
1 online resource (477 p.)
Ausgabe:
1st ed.
ISBN:
1-283-32895-X
,
9786613328953
,
90-272-8119-X
Serie:
Linguistic & literary studies in Eastern Europe ; v. 1
Inhalt:
The essays in this two-volume anthology provide the reader with an overview of current Czech, Polish and Hungarian research in language, literature and meaning as well as some new perspectives on the major theoretical contributions of Roman Ingarden, Georg Lukács and Jan Mukařovský. For the most part, the emphasis is on Poetics and Literary Theory; however, in some of the essays the focus shifts to such related disciplines as Aesthetics, Linguistics and Semiotics. The heterogeneity of this collection reflects the broad spectrum of interests and approaches to problems of theory being pursued at present in Poland, Hungary and Czechoslovakia. Much of the work being done in these countries remains relatively unknown outside of Eastern Europe. This anthology is an attempt to rectify this situation and make better known the nature and extent of research which promises new insights into a whole range of phenomena in language, literature and culture.
Anmerkung:
Description based upon print version of record.
,
LANGUAGE, LITERATURE & MEANING I: PROBLEMS OF LITERARY THEORY; Editorial page; Title page; Copyright page; PREFACE; Acknowledgements; Table of contents; JAN MUKAŘOVSKÝ: THE BEGINNINGS OF STRUCTURAL AND SEMIOTIC AESTHETICS; REFERENCES; THE AXES OF POETIC LANGUAGE; PRAGUE STRUCTURALISM--A BRANCH OF THE PHENOMENOLOGICAL MOVEMENT; 1. Three Phenomenological Trends; 2. The Role of the Subjective Attitude in Structuralism; 3. The Linguistic Constitution of the World; 4. On ""The Primal Sense of Antithetical Words""; REFERENCES; LANGUAGE AS PROCESS: SERGEJ KARCEVSKIJ'S SEMIOTICS OF LANGUAGE
,
THE WORK OF LITERATURE AND IDEOLOGYZUR TYPOLOGIE DER ÄSTHETISCHEN UND KÜNSTLERISCHEN RICHTUNGEN; THE PROBLEM OF STYLE FROM THE STANDPOINT OF GENERAL THEORY OF ART; I. Formulation of the Problem; II. The Problem of Style in the Histories of Art and Literature; III. The Theoretical Premises of the Semantic Conception of Style; IV. Style as a Specific Factor of the Higher Semantic Synthesis of a Work; V. Typologies of Styles; THE LUKÁCSIAN CONCEPT OF POETRY; NACH DEM STRUKTURALISMUS; 1. Strukturalismus und Neostrukturalismus; 2. Die Geschichtlichkeit des Marxismus
,
3. Die Geschichtlichkeit der marxistischen Literaturwissenschaft4. Ausblick; ON CONCRETIZATION; εποχη,́ ARTISTIC ANALYSIS, AESTHETIC CONCRETIZATION : REFLECTION UPON ROMAN INGARDEN'S REFLECTIONS; 1. είτοχη ́as the Central Prerequisite of Phenomenological reflection.; 2. Ingarden's notion of επ́οχη.́; 3. Applicability of επ́οχη ́to the Cognition of Literary Art.; 4. ετ́χοχη ́as a Sustaining System of Control.; 5 . ετ́ιοχη ́and the Totality of Mind.; ROMAN INGARDEN: ONTOLOGICAL FOUNDATIONS FOR LITERARY THEORY; 1. Introduction; 2. The Ontology of Fiction.; 3. Ontological and Epistemological Incompleteness
,
4. The Double Structure of the Objects of Fiction5. Ontological and Epistemological Nodality: the Nature of the Objects of Fiction; ROMAN INGARDEN AND LITERARY GENRES
,
English
Weitere Ausg.:
ISBN 90-272-1502-2
Sprache:
Englisch
