UID:
almahu_9948612218102882
Format:
1 online resource (808 pages).
ISBN:
9780190460198 (ebook) :
Series Statement:
Oxford handbooks online
Content:
Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.
Note:
Imagining Sound as the Absolute: The Case of Sarangadeva /
,
Shifting Metaphors in the Conceptualization of Musical Knowledge and Learning /
,
Fantasy Control: Implications for Distributed Imagination and Affect Attunement in Music and Sound /
,
Musical Preferences and the Imagined Self /
,
Burmese Spirit Worship: Music as a Medium for the Transformation of Self /
,
Opera and the South African Political /
,
Noise and Tranquillity at Stonehenge: The Political Acoustics of Cultural Heritage /
,
The Sonic Abject: Sound and Violence in the Legal Imagination /
,
Building Worlds Together with Sound and Music: Imagination as an Active Engagement Between Ourselves /
,
Sonic Branding: From Brand Image to Brand Imagination /
,
Radio Imaginaries: Music, Space, and Broadcasting in the 1950s /
,
The Sensation of Sound and Imagination in a Historical Perspective /
,
Audio Inside the Mind: The Poetics of Sound /
,
The Acoustic Imaginations of East Asia /
,
Imagining Sonic Stories /
,
Sound Quality, Language, and Cognitive Metaphors /
,
Speech, Sound, Technology /
,
Divergent Images of Early Sound Experience during Infancy and Early Childhood /
,
The Aural Dimension in Comic Art /
,
Sound, Museums, and the Modulation of the Imagination /
,
Cinema as Social Knowledge: The Case of the Beatles in the Studio /
,
Concerning the Iconic Signification of Music in Cinema /
,
Imagining the Sounds Themselves /
,
Embodied Listening: A Moving Dimension of Imagination /
,
The Listener's Choice: The Sounds of Music, Meanings, and Measurements /
,
Imagining Acoustic Spaces through Listening and Acoustic Ecology /
,
Presence, Environment, and Sound and the Role of Imagination /
,
Music Places: Imaginative Transports of Listening /
,
Beacons of Sound /
,
Cross-modal correspondences and the analysis of contemporary music: An exploratory investigation /
,
Auditory Mirrors: About the Politics of Hearing /
,
What We Hear is Where We Are /
,
Bridging the Other-Real: Video Game Sound and the Imagination /
,
Auditory Imagination: A Phenomenological Perspective /
,
Introduction /
,
The Necessity of Vagueness and Ambiguity to the Imagining of Sound /
,
Listening and/as Imagination /
,
Imagination, Multimodality, and Sound /
,
Some Anticipatory, Kinesthetic, and Dynamic Aspects of Auditory Imagery /
,
Into the Sounds of War: Imagination, Media, and Experience /
Additional Edition:
Print version : ISBN 9780190460167
Language:
English
URL:
Oxford handbooks online
URL:
Oxford handbooks online
