UID:
almafu_9959229181402883
Format:
1 online resource (305 pages).
ISBN:
9789004339705
,
90-04-33970-1
Series Statement:
Mnemosyne, Supplements, Volume 402
Content:
Authorship and Greek Song is a collection of papers dealing with various aspects of authorship in the song culture of Ancient Greece. In this cultural context the idea of the poet as author of his poems is complicated by the fact that poetry in archaic Greece circulated as songs performed for a variety of audiences, both local and “global” (Panhellenic). The volume’s chapters discuss questions about the importance of the singers/performers; the nature of the performance occasion; the status of the poet; the authority of the poet/author and/or that of the performer; and the issues of authenticity arising when poems are composed under a given poet’s name. The volume offers discussions of major authors such as Pindar, Sappho, and Theognis.
Note:
Selected papers presented at a conference entitled "Authorship, Authority, and Authenticity in Archaic and Classical Greek Song," which was held June 6-9, 2011 at Yale University, organized by the Network for the Study of Archaic and Classical Greek Song.
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Front Matter /
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Introduction /
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The Construction of Authority in Pindar’s Isthmian 2 in Performance /
,
Voice and Worship /
,
Crooked Competition: The Performance and Poetics of Skolia /
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Placing the Poet: The Topography of Authorship /
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Trust and Fame: The Seal of Theognis /
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Authenticity and Autochthonous Traditions in Archaic and Hellenistic Lyric Poetry /
,
Embedded Song and Poetic Authority in Pindar and Bacchylides /
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Narratorial Authority and Its Subversion in Archilochus /
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The Invention of Stesichorus: Hesiod, Helen, and the Muse /
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On the Antagonism between Divine and Human Performer in Archaic Greek Poetics /
,
“Newly Written Buds:” Archaic and Classical Pseudepigrapha in Meleager’s Garland /
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Sappho or Alcaeus: Authors and Genres of Archaic Hymns /
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Which Sappho? The Case Study of the Cologne Papyrus /
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Indexes /
Language:
English
Keywords:
Electronic books.
