UID:
almahu_9949383772302882
Format:
1 online resource (275 pages)
ISBN:
9780429520839
,
0429520832
,
9780429244094
,
0429244096
,
9780429549007
,
0429549008
,
9780429520839
,
9780429534300
,
0429534302
Series Statement:
Routledge Studies in Media Theory and Practice Ser.
Note:
Includes index.
,
Cover; Half Title; Series Page; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Preface; Introduction; PART 1 Subjectivity; 1 Ontology, Editing, Photography in Kolchak: The Night Stalker (1974); The Long Take; The Analytic Montage; The Kinestasis; Articulating Realisms; 2 Sublime, Uncanny, Marvelous in The Number 23 (2007); Animation as Revelation; Performing Interpretation; 3 Subjective Desire in Goldfinger (1964); Unreal Fantasy, ' Representation, Ontology; Composite Realities; Seduction; PART 2 Objectivity; 4 Narrational Naturalism in Bullitt (1968)
,
The Discovery ProcessThe 'Reading-Image'; The 'Perception-Image'; 5 Persuasion in The Kingdom (2007); Articulation and Enunciation in Collage; Intertextuality and Archive; 6 Allusion of Errors in Blade Runner 2049 (2017); Narrative Function' and Indexicality; Editing Glitches; PART 3 Ideologies; 7 The Medium; What was Cinema?; Modal Media; 8 The Message; Active Engagement; 9 Realist Articulation; Four Realist Modes; Afterword: Digital Movies; Index
Additional Edition:
Print version: Betancourt, Michael. Ideologies of the Real in Motion Graphics and Title Sequences. Milton : Routledge, ©2019 ISBN 9780367199197
Language:
English
Keywords:
Electronic books.
;
Electronic books.
URL:
https://www.taylorfrancis.com/books/9780429244094
