UID:
almahu_9949384118502882
Format:
1 online resource (viii, 257 pages)
ISBN:
9781315148335
,
1315148331
,
1351373803
,
9781351373807
,
9781351373814
,
1351373811
Series Statement:
Victims, culture and society
Content:
Cultural Practices of Victimhood aims to set the agenda for a cultural study of victimhood. Words such as?victim' and?victimhood' represent shifting cultural signifiers, their meaning depending on the cultural context of their usage. Using case studies and through a practice-based approach, questions are asked about how victimhood is defined and constructed, whether in the ritual commemoration of refugees on Lampedusa, the artistic practices of an Aboriginal artist such as Richard Bell, or the media practices associated with police violence. Consisting of contributions by cultural studies experts with an interest in victim studies, this book seeks a double readership. On the one hand, it intends to break new ground with regards to a?cultural turn' in the field of criminology, in particular victimology. On the other hand, it also seeks to open up discussions about a?victimological turn' in culture studies. The volume invites scholars and advanced students active in both domains to reflect on victimhood in cultural practices.
Note:
Cover; Half title; Title page; Copyright page; Table of contents; List of figures; Introduction: cultural practices of victimhood; Part I: Ritual practices; 1 Srebrenica: conflict and ritual complexities; 2 A monument for boat refugees: ritual and the art of liminality; 3 Refugee rituals: exploring ritual repertoire of victimhood; Part II: Artistic practices; 4 Representing the experience of victims at the Berlin Wall Memorial Museum; 5 Victimhood in reverse: art in the age of apology.
,
6 Basque Country competing memories at the local, regional and state levels: promoting public artistic events versus public institutional policies7 Who speaks for the victim? Experiences of migrants and refugees in Jenny Erpenbeck's novel Go, Went, Gone and Mikhail Shishkin's Maidenhair; Part III: Media practices; 8 #BlackLivesMatter: understanding anti-police protest as a cultural practice; 9 Online-offline modes of identity and community: Elliot Rodger's twisted world of masculine victimhood; 10 The Cologne translation note: victims and perpetrators; Epilogue: imagining cultural victimology.
Additional Edition:
Print version: Cultural practices of victimhood. Abingdon, Oxon ; New York, NY : Routledge, 2018 ISBN 9781138552814
Language:
English
Keywords:
Electronic books.
;
Electronic books.
;
Cross-cultural studies.
DOI:
10.4324/9781315148335
URL:
https://www.taylorfrancis.com/books/9781315148335
