UID:
almahu_9949386255302882
Format:
1 online resource (xiv, 269 pages) :
,
illustrations (black and white)
ISBN:
9781003044772
,
1003044778
,
9781000201352
,
100020135X
,
9781000201253
,
1000201252
,
9781000201307
,
1000201309
Series Statement:
Routledge research in cultural and media studies
Content:
"This collective book analyzes seriality as a major phenomenon increasingly connecting audiovisual, such as Fargo, Twin Peaks, The Hunger Games, Bates Motel, and Sherlock"--
Note:
Introduction: cinematic, televisual, or post-serialities -- Part I. Serial specificities. Opening gambits : cross-media self-reflexivity and audience engagement in serial cinema, 1936-2008 -- Ensemble storytelling : dramatic television seriality, the melodramatic mode, and emotions -- The cinematic-televisual : rethinking medium specificity in television's new Golden Age -- Part II. Market seriality. A forgotten episode in the history of Hollywood cinema, television, and seriality : the case of the Mirisch Company -- Diversions in the Hunger games film series : the fragmented narrative of hijacked images -- Raising Caine : Hollywood remakes of Michael Caine's cockney style -- Part III. Seriality and the cinematic/televisual convergence. The (re)making of a serial killer : replaying, "preplaying," and rewriting Hitchcock's Psycho in the series Bates motel -- Fargo (FX, 2014-) and cinema : "just like the movie"? -- Screening dreams : Twin peaks, from series to the film, back again and beyond -- Part IV. Meta-serialities. In-between still and moving pictures : series and seriality in Stephen Poliakoff's serial drama Shooting the past (1999) -- "The abominable bride" : Sherlock and seriality -- Subject positions and seriality in The good wife.
Additional Edition:
Print version: Exploring seriality on screen New York : Routledge, 2021. ISBN 9780367491482
Language:
English
Keywords:
Electronic books.
;
Electronic books.
;
Criticism, interpretation, etc.
;
History
DOI:
10.4324/9781003044772
URL:
https://www.taylorfrancis.com/books/9781003044772
