UID:
almahu_9949569701902882
Umfang:
1 online resource (422 pages)
Ausgabe:
1st ed.
ISBN:
80-280-0225-0
Inhalt:
This book explores the interplay between archiving, curatorship, and digital technologies within the context of art institutions. It examines the impact of the COVID-19 pandemic on gallery management and curatorial practices, especially focusing on the transition to online platforms and the use of artificial intelligence in digital curation. The work aims to provide insights on how art institutions can adapt to unprecedented challenges and leverage new technologies to sustain artistic engagement and creativity. It is intended for professionals in the fields of art curation, digital archiving, and cultural heritage management.
Anmerkung:
CONTENT -- FOREWORD -- INTRODUCTION -- 1 DIGITAL CURATING AND AI CURATING:THE NETWORK OF TERMS -- 2 THE BLACK BOX: THE LOCK-DOWN CURATORIAL PROJECT -- 2.1 What to look for in a black box? An attempt to recapitulate the pandemic experience in gallery management -- 2.2 The New Archivist -- 2.3 Web Is the Key. On the Design of Black Box -- 3 CURATING ONLINE 2020 -- 3.1 2020: Was it the end of curating on the web? -- 3.2 2020 Digital Odyssey: Online or Nothing -- 3.3 Networked Art Practice After Digital Preservation -- 3.4 Ecosystems and Artistic Research in forming Digital Curatorial Infrastructures -- 4 AI CURATOR -- 4.1 On Computer creativity. Machine learning and the arts of artificial intelligences -- 4.2 Digital Curator at the Museum of Fine Arts -- 4.3 The Next Biennial Should be Curated by a Machine -- 4.4 AI: All Idiots -- CONCLUSION -- ZUSAMMENFASSUNG -- AUTHORS -- SARAH COOK -- MARIALAURA GHIDINI -- JANA HORÁKOVÁ -- RODDY HUNTER -- MICHAL KLODNER -- MARIKA KUPKOVÁ -- ALINA MATĚJOVÁ -- ŠTĚPÁN MIKLÁNEK -- LUKPILKA
Weitere Ausg.:
Print version: Horáková, Jana The Black Box Book Brno : Masaryk University,c2022
Sprache:
Englisch
