UID:
almahu_9949598860702882
Format:
1 online resource (viii, 310 pages) :
,
illustrations
ISBN:
9780203934098
,
0203934091
,
020342574X
,
9780203425749
Series Statement:
New accents
Note:
Chapter 1 INTRODUCTION /
,
chapter 2 "I DO, I WILL": Hal, Falstaff and the Performative /
,
chapter 3 MEDIUM-SPECIFICITY AND OTHER CRITICAL SCRIPTS FOR SCREEN SHAKESPEARE 3456 /
,
chapter 4 SHAKESPEARE 3.0: Or Text Versus Performance, the Remix /
,
chapter 5 SHAKESPEARE FOR READERS --
,
chapter 6 CUTTING BOTH WAYS: Bloodletting, Castration/ Circumcision, and the "Lancelet" of The Merchant of Venice /
,
chapter 7 CYMBELINE, THE FONT OF HISTORY, AND THE MATTER OF BRITAIN: From Times New Roman to Italic Type /
,
chapter 8 Playing with Cupid: Gender, Sexuality, and Adolescence --
,
chapter 9 DEATH BY NUMBERS: Counting and Accounting in The Winter's Tale /
,
chapter 10 HAMLET, PRINCE: Tragedy, Citizenship, and Political Theology /
,
chapter 11 MEMORY, IDEOLOGY, TRANSLATION: King Lear Behind Bars and Before History /
,
chapter 12 THE MATERIALITY OF THE SCHOLARLY TEXT: What Our Books Reveal About Us /
,
chapter 13 ALTERNATIVE COLLABORATIONS: Shakespeare, Nahum Tate, Our Academy, and the Science of Probability /
,
chapter 14 Afterword Alternativity at the Theatrical Core: A Conversation with Michael Boyd, Artistic Director of the Royal /
Language:
English
Keywords:
Criticism, interpretation, etc.
URL:
https://www.taylorfrancis.com/books/9780203934098
