UID:
almahu_9949602131302882
Format:
1 online resource (275 pages)
Edition:
1st ed.
ISBN:
9789048514205
Series Statement:
The Key Debates: Mutations and Appropriations in European Film Studies
Content:
NOW 60 % PRICE REDUCTION.
Note:
Cover -- Contents -- Editorial -- Acknowledgments -- Introduction: Rethinking Subjectivity inFilm -- Dominique Chateau -- PART I: From Mind to Film,from Film to Mind -- The Cinema as Art of the Mind:Hugo Münsterberg, First Theorist ofSubjectivity in Film -- José Moure -- The Representation of Experience inCinema -- Gregory Currie -- Beyond Subjectivity: The FilmExperience -- Francesco Casetti -- PART II: Ways of Expressing Subjectivity -- The Man Who Wasn't There: The Productionof Subjectivity in Delmer Daves'Dark Passage -- Vivian Sobchack -- From Aesthetic Experience to the Lossof Identity, in Three Steps -- Pere Salabert -- Robert Bresson and the Voices of anInner World: "I" Can Never Be "You," orthe Impossible Identification -- Céline Scemama -- The Silence of the Lenses: Blow Up andthe Subject of Photography -- Pierre Taminiaux -- PART III: Subjectivity and the Epistemology of FilmStudies -- Beyond Subjectivity. Bakhtin'sDialogism and the Moving Image -- Karl Sierek -- Imaginary Subject -- Jacinto Lageira -- A Philosophical Approach to Subjectivityin Film Form -- Dominique Chateau -- PART IV: Conversation Subjectivity in ArtisticCoupling -- Conversation with Maria Klonaris and Katerina Thomadaki -- Dissident Subjectivities: The Filmmakers as a Double Subject -- Marina Gržinić -- Notes -- General Bibliography -- Notes on Contributors -- Index of Names -- Index of Film Titles -- Index of Subjects.
Additional Edition:
Print version: Chateau, Dominique Subjectivity Amsterdam : Amsterdam University Press,c2012 ISBN 9789089643179
Language:
English
Keywords:
Electronic books.
