UID:
almahu_9949616159302882
Format:
1 online resource (681 pages)
Edition:
1st ed.
ISBN:
9780819575258
Series Statement:
Wesleyan Poetry Series
Content:
Essential writings from the catalyst of the Latin American experimental tradition.
Note:
Cover -- Selected Writings of CÉSAR VALLEJO -- Title -- Copyright -- CONTENTS -- Acknowledgments -- Introduction -- Note on This Edition -- List of Translators -- BOOK ONE: 1915-1919 -- From Romanticism in Castilian Poetry -- Introduction -- Critique of Romanticism -- From The Black Heralds -- The Black Heralds -- The Spider -- The Poet to His Lover -- Dregs -- The Black Cup -- Imperial Nostalgias -- Ebony Leaves -- Autochthonous Tercet -- Huaco -- Dead Idyll -- Agape -- The Voice in the Mirror -- Our Bread -- The Miserable Supper -- The Eternal Dice -- Distant Footsteps -- To My Brother Miguel -- Januneid -- Epexegesis -- Articles and Chronicles -- With Manuel González Prada -- With José María Eguren -- Abraham Valdelomar Has Died -- Letters -- To Óscar Imaña, January 29, 1918 -- To Óscar Imaña, August 2, 1918 -- To Manuel Natividad Vallejo, December 2, 1918 -- Dedication of a Copy of The Black Heralds to Friends in Trujillo, July 1919 -- BOOK TWO: 1920-1923 -- From Trilce -- I. "Who's making all that racket" -- II. "Time Time" -- IV. "Two carts grind our eardrums down" -- VI. "The suit that tomorrow I wore" -- IX. "I sdrive to dddeflect at a blow the blow" -- X. "Primary and final stone of groundless" -- XIII. "I think about your sex" -- XVII. "This 2 distills in a single batch" -- XVIII. "Oh the four walls of the cell" -- XX. "Flush with the beaten froth bulwarked" -- XXIII. "Estuous oven of those my sweet rolls" -- XXV. "Chess bishops upthrust to stick" -- XXVIII. "I've had lunch alone now" -- XXX. "Burn of the second" -- XXXI. "Hope between cotton bawls" -- XXXVI. "We struggle to thread ourselves through a needle's eye" -- XXXVIII. "This crystal waits to be sipped" -- XLII. "Wait, all of you. Now I'm going to tell you" -- XLIV. "This piano journeys within" -- XLV. "I lose contact with the sea" -- XLIX . "Murmured in restlessness, I cross".
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L. "Cerberus four times" -- LII. "And we'll get up when we feel" -- LV. "Samain would say" -- LVI. "Every day I wake blindly" -- LVII. "The highest points craterized" -- LVIII. "In the cell, in what's solid" -- LXI. "Tonight I get down from my horse" -- LXIII. "Dawn cracks raining" -- LXV. "Mother, tomorrow I am going to Santiago" -- LXVIII. "We're at the fourteenth of July" -- LXX. "Everyone smiles at the nonchalance" -- LXXI. "Coils the sun does in your cool hand" -- LXXIII. "Another ay has triumphed" -- LXXV. "You are dead" -- LXXVII. "It hails so hard, as if to remind me" -- From Scales -- Northwestern Wall -- Antarctic Wall -- East Wall -- Doublewide Wall -- Windowsill -- Beyond Life and Death -- The Release -- Wax -- From Savage Lore -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Letters -- To La Reforma, August 12, 1920 -- To Óscar Imaña, October 26, 1920 -- To Gastón Roger, December 1920 -- To Óscar Imaña, February 12, 1921 -- To Óscar Imaña, June 1, 1922 -- To Antenor Orrego, 1922 -- To Manuel Natividad Vallejo, June 16, 1923 -- To Carlos C. Godoy, Esq., June 16, 1923 -- To Víctor Clemente Vallejo, July 14, 1923 -- To Carlos Raygada, September 15, 1923 -- Articles and Chronicles -- The Blue Bird -- La Rotonde -- Cooperation -- BOOK THREE : 1924-1928 -- Articles and Chronicles -- Paris Chronicle -- Spain in the International Exhibit of Paris -- Modern Man -- Between France and Spain -- The Need to Die -- The History of America -- The Assassin of Barrès -- The Poet and the Politician -- The State of Spanish Literature -- Da Vinci's Baptist -- In Defense of Life -- A Great Scientific Discovery -- Latest Scientific Discoveries -- The Idols of Contemporary Life -- Avant-Garde Religions -- Against Professional Secrets -- The New Disciplines -- Life as a Match -- Artists Facing Politics -- Contribution to Film Studies -- Madness in Art.
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The Passion of Charles Chaplin -- Invitation to Clarity -- Proletarian Literature -- Colonial Societies -- The Psychology of Diamond Specialists -- Literature behind Closed Doors -- Vanguard and Rearguard -- Anniversary of Baudelaire -- The Masters of Cubism -- Tolstoy and the New Russia -- From Art and Revolution -- The Revolutionary Function of Thought -- The Work of Art and the Social Sphere -- Grammatical Rule -- Poetry and Imposture -- Tell Me How You Write and I'll Tell You What You Write -- Universality of Verse for the Unity of Languages -- Aesthetic and Machinism -- Autopsy of Surrealism -- New Poetry -- The Image and Its Syrtes -- The Mayakovsky Case -- Regarding Artistic Freedom -- My Self- Portrait in the Light of Historical Materialism -- From Against Professional Secrets -- From Feuerbach to Marx -- Explanation of History -- "An animal is led" -- "There exist questions" -- The Head and Feet of Dialectics -- The Death of Death -- The Motion Inherent in Matter -- Individual and Society -- Negations of Negations -- Reputation Theory -- Noise of a Great Criminal's Footsteps -- Conflict between the Eyes and the Gaze -- Languidly His Liqueur -- Vocation of Death -- From Toward the Reign of the Sciris -- 1. The Other Imperialism -- 2. The Seer -- 3. The Peace of Túpac Yupanqui -- 4. An Accident on the Job -- 5. Byzantium, West Longitude -- From Moscow vs. Moscow -- The Final Judgment -- Death -- From The River Flows between Two Shores -- Act 1, Scene 1 -- Act 1, Scene 2 -- Act 1, Scene 3 -- Letters -- To Pablo Abril de Vivero, May 14, 1924 -- To Pablo Abril de Vivero, May 26, 1924 -- To Alcides Spelucín, July 1924 -- To Pablo Abril de Vivero, October 19, 1924 -- To Pablo Abril de Vivero, November 5, 1924 -- To Juan Larrea, March 12, 1926 -- To Ricardo Vegas García, May 15, 1926 -- To Juan Larrea, July 26, 1926.
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To Alcides Spelucín, September 14,1926 -- To José Carlos Mariátegui, December 10, 1926 -- To Emilio Armaza, December 10, 1926 -- To Pablo Abril de Vivero, July 24, 1927 -- To Luis Alberto Sánchez, August 18, 1927 -- To Pablo Abril de Vivero, September 12, 1927 -- To Pablo Abril de Vivero, October 19, 1927 -- To Rafael Méndez Dorich, February 17, 1928 -- To Pablo Abril de Vivero, March 17, 1928 -- To Pablo Abril de Vivero, April 26, 1928 -- To Pablo Abril de Vivero, October 19, 1928 -- To Pablo Abril de Vivero, December 27, 1928 -- Notebooks -- Entries from 1926-1928 -- BOOK FOUR: 1929-1935 -- From Human Poems -- Good Sense -- I Am Going to Speak of Hope -- "No one lives in the house" -- Height and Hair -- Hat, Overcoat, Gloves -- Black Stone on a White Stone -- "And don't say another word to me" -- "It was Sunday in the clear ears of my jackass" -- "Today I like life much less" -- Epistle to the Passersby -- The Hungry Man's Rack -- "Considering coldly" -- "Idle on a stone" -- Paris, October 1936 -- "And if after so many words" -- Telluric and Magnetic -- "The miners came out of the mine" -- From Reflections at the Foot of the Kremlin -- 8. Literature: A Meeting of Bolshevik Writers -- 9. The Day of a Stonemason: Love, Sports, Alcohol, and Democracy -- 14. Film: Russia Inaugurates a New Era on the Silver Screen -- From Russia Facing the Second Five- Year Plan -- What Is the Workers' Club? -- Workers Discuss Literature -- The Mechanical Landscape -- Art and Revolution -- Dialectics and Manual Labor -- Articles and Chronicles -- The Lessons of Marxism -- The Youth of America in Europe -- Megalomania of a Continent -- The Economic Meaning of Traffic -- New Poetry from the United States -- Buried Alive -- From Warsaw to Moscow -- Mundial in Russia -- Mundial in Eastern Europe -- Three Cities in One -- Latest Theater News from Paris -- An Incan Chronicle.
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The Incas, Revived -- From Tungsten -- Chapter 1 -- Paco Yunque -- From Brothers Colacho -- Act 1, Scene 1 -- Act 1, Scene 2 -- Letters -- To Néstor P. Vallejo, October 27, 1929 -- To José Carlos Mariátegui, October 17, 1929 -- To Gerardo Diego, January 6, 1930 -- To Gerardo Diego, January 27, 1932 -- To Juan Larrea, January 29, 1932 -- Notebooks -- Entries from 1929-1935 -- BOOK FIVE: 1936-1938 -- Articles and Chronicles -- Recent Discoveries in the Land of the Incas -- The Andes and Peru -- Man and God in Incan Sculpture -- The Great Cultural Lessons of the Spanish Civil War -- Popular Statements of the Spanish Civil War -- The Writer's Responsibility -- From Human Poems -- "Today I would like to be happy willingly" -- Poem to Be Read and Sung -- "The tip of man" -- "My chest wants and does not want its color" -- "I stayed on to warm up the ink" -- "The peace, the wausp, the shoe heel, the slopes" -- "Confidence in glasses, not in the eye" -- "Alfonso: you are looking at me" -- "Chances are, I'm another" -- The Book of Nature -- "The anger that breaks the man into children" -- Intensity and Height -- Guitar -- The Nine Monsters -- "A man walks by with a baguette on his shoulder" -- The Soul That Suffered from Being Its Body -- "Let the millionaire walk naked, stark naked!" -- "The fact is the place where I put on" -- "In short, I have nothing with which" -- The Wretched -- Sermon on Death -- From Spain, Take This Cup from Me -- I. Hymn to the Volunteers for the Republic -- III. "He used to write with his big finger in the air" -- IV. "The beggars fight for Spain" -- VIII. "Back here, / Ramón Collar" -- X. Winter during the Battle for Teruel -- XII. Mass -- XV. Spain, Take This Cup from Me -- From The Tired Stone -- Act 1, Scenes 1-6 -- Act 2, Scenes 1-2 -- Letters -- To Juan Luis Velásquez, June 13, 1936 -- To Juan Larrea, October 28, 1936.
,
To Juan Larrea, January 22, 1937.
Additional Edition:
Print version: Vallejo, César Selected Writings of César Vallejo Middletown, CT. 06459 : Wesleyan University Press,c2015 ISBN 9780819574848
Language:
English
Keywords:
Electronic books.
