UID:
almahu_9949657553602882
Umfang:
XII, 329 p.
,
online resource.
Ausgabe:
1st ed. 2024.
ISBN:
9783031406546
Serie:
Palgrave Studies in Literature, Culture and Economics,
Inhalt:
The Financial Image: Finance, Philosophy, and Contemporary Film draws on a broad range of narrative feature films, documentaries, and moving image installations in the US, Europe, and Asia. Using frameworks from contemporary philosophy and critical finance studies, the book explores how contemporary cinema has registered recent financial and economic issues. The book focuses on how filmmakers have found formal means to explore, celebrate, and critique the increasingly important role that the financial sector plays in shaping global economic, political, ethical, and social life. Alasdair King is Reader in Film in the School of Languages, Linguistics, and Film at Queen Mary University of London, UK. He is the author of Hans Magnus Enzensberger: Writing, Media, Democracy (2007).
Anmerkung:
1. Introduction -- 2. The Financial Gaze -- 3. Film and Financial Ethics -- 4. Film and Financial Time -- 5. Film and 6. Financial Space -- 7. Film and Financial Performance -- 8. Conclusion.
In:
Springer Nature eBook
Weitere Ausg.:
Printed edition: ISBN 9783031406539
Weitere Ausg.:
Printed edition: ISBN 9783031406553
Weitere Ausg.:
Printed edition: ISBN 9783031406560
Sprache:
Englisch
DOI:
10.1007/978-3-031-40654-6
URL:
https://doi.org/10.1007/978-3-031-40654-6
