Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    E-Resource
    E-Resource
    Amsterdam ; : Rodopi,
    UID:
    almahu_9949701350502882
    Format: 1 online resource (iv, 224 pages) : , illustrations.
    ISBN: 9789401205740
    Series Statement: Consciousness, literature & the arts ; 13
    Content: This book offers sweeping and cogent arguments as to why analytic philosophers should take experimental cinema seriously as a medium for illuminating mechanisms of meaning in language. Using the analogy of the movie projector, Barnett deconstructs all communication acts into functions of interval, repetition and context. He describes how Wittgenstein's concepts of family resemblance and language games provide a dynamic perspective on the analysis of acts of reference. He then develops a hyper-simplified formula of movement as meaning to discuss, with true equivalence, the process of reference as it occurs in natural language, technical language, poetic language, painting, photography, music, and of course, cinema. Barnett then applies his analytic technique to an original perspective on cine-poetics based on Paul Valery's concept of omnivalence, and to a projection of how this style of analysis, derived from analog cinema, can help us clarify our view of the digital mediasphere and its relation to consciousness. Informed by the philosophy of Quine, Dennett, Merleau-Ponty as well as the later work of Wittgenstein, among others, he uses the film work of Stan Brakhage, Tony Conrad, A.K. Dewdney, Nathaniel Dorsky, Ken Jacobs, Owen Land, Saul Levine, Gregory Markopoulos Michael Snow, and the poetry of Basho, John Cage, John Cayley and Paul Valery to illustrate the power of his unique perspective on meaning.
    Note: Preliminary Material -- Two pictures of a rose in the dark -- Modes of Perception and Modes of Expression -- Dynamic And Syntactic Universals -- The Moving Target -- Appendix A -- Acknowledgements -- Bibliography -- Filmography -- Index.
    Additional Edition: Print version: Movement as Meaning in Experimental Film Leiden, Boston : Brill | Rodopi, 2008, ISBN 9789042023857
    Language: English
    Keywords: Experimental films. ; Criticism, interpretation, etc.
    URL: DOI:
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages