UID:
almahu_9949747564402882
Format:
1 online resource (xix, 242 pages) :
,
illustrations (some color).
ISBN:
9781003413356
,
1003413358
,
9781003856665
,
1003856667
,
9781003856634
,
1003856632
Series Statement:
Routledge research in art history
Content:
"This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (expressionism, cubism, futurism, Dadaism, surrealism, constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists' work on paper to demonstrate that the material and formal analysis of paper in the avant-garde's artistic production still holds much in store. In the second section, chapters zoom in on forms and formats of collective artistic production that deployed paper to move around reproductions of fine art works, to facilitate the dialogue between avant-gardists, to better promote their work among patrons, and to make their work available to a wider audience. Chapters in the third section lay bare how certain groups within the avant-garde began to massively create monochrome works, because these could be easily reproduced when transferred to, or reproduced as, linocuts. In the last section of the book, chapters explore how the avant-garde's attentiveness to paper almost always also implied a critique of the ways in which paper, and all that it stood for, was treated and labored in European culture and society more broadly. The book will be of interest to scholars working in art history, modernism, and design"--
Note:
Avant-garde by mail / Jessica Sjöholm Skrubbe -- "The most burning question for contemporary thinking about art :" art competitions and the discourse on painting in reproduction in Weimar Germany / Anne Reimers -- Parade albums and censorship in the Soviet Union / Viola Hildebrand-Schat.
Additional Edition:
Print version: Historic avant-garde work on paper New York, NY : Routledge, 2024 ISBN 9781032537351
Language:
English
DOI:
10.4324/9781003413356
URL:
https://www.taylorfrancis.com/books/9781003413356
