UID:
almahu_9949979848002882
Umfang:
1 online resource (295 pages)
Ausgabe:
First edition.
ISBN:
9781040210079
,
1040210074
,
9781003370024
,
1003370020
,
9781040210024
,
1040210023
Serie:
Routledge Studies in Anthropology and Museums Series
Inhalt:
This book explores anthropological and global art collections as a catalyst, a medium, and an expression of relations.
Anmerkung:
Cover -- Endorsement -- Half Title -- Series Information -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- List of Contributors -- Introduction: Collections as Relations-Contestations of Belonging, Cultural Heritage, and Knowledge Infrastructures -- Collections as Relations-ontologies, Networks, and (Affective) World-Making -- (Im)possibilities of Decolonial Collaboration and Institutional Transformation -- New Opportunities for (Transregional) Cooperation Between Universities and Collecting Institutions -- PART I: Politics of Identity and Belonging -- PART II: Constructions of Cultural Heritage and Property Disputes -- Part III: Epistemic Cultures and Knowledge Infrastructures -- Conclusion -- Acknowledgements -- Notes -- References -- Part I Politics of Identity and Belonging -- 1 Shared Soundscapes: Everyday Archiving and the Collaborative (Re)activation of Anthropological Collections -- Introduction (Co-Written) -- The Northern Coast: Cultural Heritage and Everyday Archiving (Gisela Cánepa Koch) -- Music and Dance in Lambayeque: Identity Politics, Heritage, and Cultural Entrepreneurs -- The Lambayeque Collection: Past and Present Collaborations -- Activating Historical Photographs and Collaborations: Entrepreneurial Curators and Archival Inequalities -- The Central Rainforest: Politics of Innovation and Everyday Archiving (Ingrid Kummels) -- Asháninka and Nomatsigenga Music and Dance in Flux -- The Individual Archive and Its Distinctive Agencies -- Current Soundscapes for Reactivation of Historical Audio Recordings -- An Interim Balance: Everyday Archiving and Its Relevance for Identity Formation (Co-Written) -- Notes -- References -- 2 Curating and Creating Relations Between Lived Worlds: A Practice-Oriented Methodology for Museum Engagements With Indigenous Communities From Amazonia -- Introduction.
,
Thinking Things Anthropologically -- Upper Rio Negro's Object Regime -- Curating and Creating Relations -- Engaging With Collections -- Producing Things -- Remaking Powerful Relations -- Co-Creating Collaborative Works -- Conclusion -- Notes -- References -- 3 Making Kin, Reanimating Relations in the Museum Collection -- Introduction -- Glocal Europe: Reframing Collection Relations at the MEK -- Displaying Things, Animating Relations -- Rescue Missions and Blind Spots -- Conclusion: Making Kin in the Collection -- References -- Part II Constructions of Cultural Heritage and Property Disputes -- 4 Cultural Heritage From Colonial Context as Disputed Heritage: The Case of Cameroon and Germany -- Introduction -- Colonial Context and Translocation of Artefacts: Some Ways of Removal -- Contested Ownership, Queries for Restitution, Symbolic Reappropriation -- Disputed Heritage, "Shared Heritage"? -- Concluding Remarks -- Notes -- References -- 5 The Ayoréode Collection at the BASA Museum as a Glocal Place: On Movements and Displacements -- Introduction -- On "Place" and the "Glocal"-Theoretical Considerations -- Refractions-On Ayoréode History -- A Journey Begins-Collections Affordances -- From Erami to Cojñone-Gari -- Traces, Gaps, and Silences in Collection Stories -- Beyond Eramone-Living in Cojñone-Gari -- New Paths and Territories -- Concluding Remarks -- Notes -- References -- 6 Towards Democratising the Formation of Knowledge: Researching Sensitive Collections From Namibia Collectively -- Introduction -- Confronting Colonial Pasts -- Listening to People and Things -- Sensing History -- Tying Networks of Knowledge -- Returning Home -- Notes -- References -- Part III Epistemic Cultures and Knowledge Infrastructures -- 7 The Afterlives of Gold Antiquities From Southeast Asia: Digging and Collecting for the Art Market in Indonesia -- Introduction.
,
Entanglement Between Materiality and Attributed Value -- Digging for the Art Market in Indonesia -- Land Sites in East Java -- River Excavations in Southeast Sumatra -- The Trajectories of Knowledge in the Ethnologisches Museum of Berlin -- Collector Jacob Anthonie Dieduksman: Faked and Genuine Archaeological Finds -- Collector Baron Joachim Maria Heinrich Freiherr Von Brenner-Felsach: A Ring of Unknown Provenance -- Collector Conrad Ernst August Prillwitz: Illegal Trade in Antiquities -- Collector At. Merten: A "Sultan's Ring" -- Conclusion On the Biases of Gold -- Notes -- References -- 8 Challenging the Jacobsen Collections From the American Northwest Coast and Alaska: A Long Durée of Multilateral Engagement and Complex Relationships 1881-2021 -- Introduction -- The Berlin Jacobsen Collection From the 19th Century and the Purpose of Its Creation -- Commercial Interests in Collecting -- Collectors and Businessmen-The Jacobsen Brothers -- Academic Profiteers and Indigenous "Service Providers" -- "Upgrading" to an Art Collection -- Historical Significance of the Jacobsen Collection -- "Visual Repatriation"-The Yup'ik of Alaska Explore the Jacobsen Collection -- Exhibiting the Jacobsen Collection -- The Project "One History-Two Perspectives" (2009-2012) -- Alternatives: The Use of Performance and Media in Exhibitions -- "Thin Ice": Facing the Environment and Climate Change in Ethnological Museums -- Dena'inaq' Huch'ulyeshi: The Dena'ina Way of Living -- Present Relevance, Reowning Knowledge, Forms of Exchange -- Provenance Research and the Significance of Jacobsen's Written Legacy -- The Restitution to the Chugach Alaska Corporation -- Interchange and Gifts -- Consequences and Challenges for the Future Treatment of the Collection -- The Jacobsen Collection From Alaska and Climate Change.
,
Charles Edensu's Totem Pole From the Northwest Coast and What It Says About Us -- Implications and Final Remarks -- Notes -- References -- 9 Vegetal Entanglements: Flowers and Medical Herbs as Wissensfiguren in Chinese Art and Visual Culture -- Introduction -- Botanical Knowledge and Local Histories in Painting Albums of Rare Herbs -- Ink Orchids and Somatic Aesthetics -- Flower Imagery and Shamanism in the Nine Songs -- The Orchid as Wissensfigur in Medical Literature -- Conclusion -- Notes -- References -- 10 From Index Cards to Digital Catalogues: Incomplete Object Documentation as Reflection Space -- Introduction -- Infrastructural Relations in Museum Documentation -- Methods and Fieldwork -- Craftwork Features of Collections Documentation -- Interconnected Lines of Work -- Translation of Know-How -- Value of "Good Hands" -- From Index Cards to Digital Catalogues -- Digitisation and System Changes -- From Index Cards to Online Catalogue -- The Role of Imperfect Tools -- Conclusions -- Funding -- Notes -- References -- Index.
Weitere Ausg.:
ISBN 9781032382555
Weitere Ausg.:
ISBN 1032382554
Sprache:
Englisch
