Kooperativer Bibliotheksverbund

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Format: 1 online resource (372 pages)

Edition: First edition.

ISBN: 0-443-13520-7

Note: Includes index. , Intro -- The Neuroscience of Bachs Music -- Copyright -- Dedication -- Contents -- Acknowledgments -- Part One: Prelude -- Chapter One: Introduction -- Reference -- Chapter Two: Background and overview of Johann Sebastian Bach -- References -- Chapter Three: Basics of the brain and perception -- Loudness -- Overtones -- References -- Chapter Four: Case study: A (not so) simple invention by Bach-Upside down but very, very rarely backwards -- Appendix -- References -- Part Two: Playing Bach and the brain-Action -- Chapter Five: Playing Bachs suites for solo cello and experiencing ones actions without perception and clocking Libets `` ... -- References -- Chapter Six: Neural performance, action requirements, and challenges of playing Bachs Concerto for Two Violins-A study of ... -- Chapter Seven: Case study: Organ, violin or guitar? -- References -- Chapter Eight: Incorporating the cello part with two solo violas Bachs in Brandenburg Concerto No. 6-Challenges in synchr ... -- Reference -- Chapter Nine: More than three-Perceptual, action, and cognitive challenges for performers and listeners -- References -- Chapter Ten: Case study: A brainy Bach Encore for Handel -- References -- Chapter Eleven: Case study: What is a fugue? -- References -- Chapter Twelve: Virtuoso of Bachs composing and performance expectations -- Postscript -- References -- Part Three: Listening to Bach-Perception of musical space and landscape -- Chapter Thirteen: An introduction to the neuroscience of ``affekt´´-Music, emotions, and the brains limbic system -- Chapter Fourteen: ``Affekt´´ related to tempos and effects-Bachs composition and emotional playing -- References -- Chapter Fifteen: Case study: The affekt of effects in a Bach Cantata -- References -- Chapter Sixteen: The algebra and neuroscience of Bachs transcriptions for various instruments and cognitive effects. , References -- Chapter Seventeen: Case studies: (Can you hear) Whats in a name? -- Postscript -- Appendix -- References -- Part Four: Bach and the exploration of the tonal system and beyond-Cognition -- Chapter Eighteen: Parallel fifths and the cognitive-perceptual system -- References -- Chapter Nineteen: Sequential enharmonic notes across instruments in Bachs compositions -- References -- Chapter Twenty: Case study: ``Wrong Notes´´ in Bach -- Reference -- Chapter Twenty One: Bachs 12-tone row, cognition, and musical perception -- References -- Chapter Twenty Two: Case study: A whole tone scale in Bach -- References -- Chapter Twenty Three: Modal traces and the cognitive-perceptual system -- Dorian and Aeolian Modal Chorales -- Phrygian cadences -- Solo Cello Suite No. 4 Prelude-Bachs Mixolydian masterpiece -- An eighth church mode?! -- References -- Chapter Twenty Four: Present and future neuroimaging studies of Bach -- References -- Part Five: Mathematical Bach -- Chapter Twenty Five: Topology in Bach I-The Brains analysis of Bachs match to a ``Möbius strip´´ structure -- Canons -- Canon 3 -- Canon 5 -- References -- Chapter Twenty Six: Topology in Bach II-A musical torus and the brains ability to hear topological structures -- A musical score as a topological space -- The Musical Offering -- Canon 5 -- The illusion: Pitch versus tonality -- The torus -- References -- Chapter Twenty Seven: Unbroken and broken symmetry in Bachs compositions -- References -- Part Six: Conclusion -- Chapter Twenty Eight: Bach and the brain: Action, perception, and cognition-Summary, conclusion, fresh beginnings and fut ... -- References -- Part Seven: Appendices -- Chapter Twenty Nine: Recovering ``Bachs edition´´ of the solo cello suites -- Introduction -- Performer vs. composer -- Sonatas and partitas for solo violin -- Notes, rhythms, slurring. , Articulation and emphasis -- Vibrato, dynamics, fingering -- Trills and triple and quadruple stops -- Tempo -- Cello suites -- Slurs -- Chords -- Tempos -- Recovering Bachs edition -- References -- Chapter Thirty: Further readings and online resources -- References -- Index.

Additional Edition: Print version: Altschuler, Eric The Neuroscience of Bach's Music San Diego : Elsevier Science & Technology,c2024 ISBN 9780443135194

Language: English