Format:
XXIV, 286 S. :
,
Ill.
ISBN:
978-0-8166-3440-8
,
978-0-8166-3441-5
,
0-8166-3440-8
,
0-8166-3441-6
Series Statement:
Visible evidence 16
Note:
Essays either previously published or previously presented at various conferences
,
Social Subjectivity -- Early Newsreel: The Construction of a Political Imaginary for the New Left -- The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation -- Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 -- Lost, Lost, Lost: Mekas as Essayist -- The Subject in Theory -- Charged Vision: The Place of Desire in Documentary Film Theory -- The Subject in History: The New Autobiography in Film and Video -- Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video -- Documentary Disavowals and the Digital -- Technology and Ethnographic Dialogue -- The Address to the Other: Ethical Discourse in Everything's for You -- Modes of Subjectivity -- New Subjectivities: Documentary and Self-Representation in the Post-Verite Age -- The Electronic Essay -- Video Confessions -- Domestic Ethnography and the Construction of the "Other" Self -- The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet)
Language:
English
Subjects:
General works
Keywords:
Dokumentarfilm
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=012937507&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
