Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    b3kat_BV042342818
    Format: XXI, 384 S. , Ill., graph. Darst. , 24 cm
    Edition: 1. publ.
    ISBN: 9781408183564
    Series Statement: Drama and performance studies
    Content: Voice into Acting focuses, not simply on voice as a skill or ways to approach text, but on how to integrate voice into acting process and performance. How can actors bridge the gap between themselves and the text and action of a script, and integrate fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to bring the two together in a unified and comprehensive approach informed by Stanislavski and his successors - the approach taught to actors in drama schools throughout the world and which draws on natural human experience in the creation of a role
    Note: Acknowledgements Foreword List of illustrations Introduction PART ONE LAYING THE FOUNDATIONS Introduction Chapter 1 The organic acting approach and the voice Chapter 2 The organic acting approach and the brain PART TWO THE ESSENTIAL VOCAL SIX - AND INTEGRATING ACTING INTO VOICE Introduction Chapter 3 Alignment - backbone of the action Chapter 4 Breath - the great creative connector Chapter 5 Centred onset of sound - the vocal identity of the actor Chapter 6 Pitch range - the music of meaning Chapter 7 Resonance - vibrating the experience Chapter 8 Articulation - shaping thought and action PART THREE INTEGRATING VOICE INTO THE ORGANIC ACTING PROCESS Introduction Chapter 9 Interval - receiving and responding Chapter 10 Awareness, ease and focus Chapter 11 The action - given circumstances, interaction and objectives Chapter 12 Seeing, sensing and feeling Chapter 13 Character voice Chapter 14 The actor in the space PART FOUR INTEGRATING VOICE IN REHEARSAL AND PERFORMANCE - PUTTING IT ALL TOGETHER Introduction Chapter 15 Meeting the play and the character Chapter 16 From impulse to action Chapter 17 From action to form Conclusion Selected bibliography About the authors Index Permissions
    Language: English
    Keywords: Stanislavskij, Konstantin Sergeevič 1863-1938 ; Sprecherziehung ; Stimme ; Schauspielkunst
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages