Format:
1 Online-Ressource (264 Seiten)
,
illustrations
ISBN:
9048525276
,
9789048525270
Series Statement:
Film theory in media history
Content:
This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger
Note:
The discursive spaces between a history of film technology and technological experience
,
Experience --
,
When Did Cinema Become Cinema? Technology, History, and the Moving Pictures
,
Exhibition Practices in Transition: Spectators, Audiences, and Projectors
,
Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia
,
Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again?
,
Study --
,
Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film
,
Film Analysis and Statistics: A Field Report
,
A 'Distant Reading' of the 'Chaser Theory': Local Views and the Digital Generation of New Cinema History
,
Theory --
,
Cine-Graphism: A New Approach to the Evolution of Film Language through Technology
,
Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology
,
On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema
Additional Edition:
Erscheint auch als Druck-Ausgabe Technology and film scholarship Amsterdam : Amsterdam University Press, [2018] ISBN 9789089647542
Language:
English
Subjects:
General works
Keywords:
Filmtheorie
;
Film
;
Filmtechnik
;
Geschichte
;
Aufsatzsammlung
URL:
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