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    London ; New York : Routledge, Taylor & Francis Group
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    UID:
    b3kat_BV048394607
    Format: xiv, 206 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780367762544 , 9780367762551
    Series Statement: Musical cultures of the twentieth century Volume 8
    Content: "Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of music, its technological reproduction and its modes of communication - in particular, pedagogy and dissemination through the media. The book's four parts each deal with different aspects of the mediation process. The contributing authors outline the problematic moments in Adorno's reasoning but also highlight its potential. In many chapters the pole of immediacy is explicitly brought into play, its different manifestations often proving to be fundamental for the understanding of mediation processes. The prime reference sources are Adorno's Current of Music, Towards a Theory of Musical Reproduction and Composing for the Films. Critical readings of these texts are supplemented by reflections on performance studies, media theories, sociology of listening, post-structuralism and other contiguous research fields"--
    Additional Edition: Erscheint auch als Online-Ausgabe, ebk. ISBN 978-1-00-316613-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Adorno, Theodor W. 1903-1969 ; Musik ; Massenmedien ; Aufsatzsammlung
    Author information: Borio, Gianmario 1956-
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