UID:
edoccha_9958075178502883
Umfang:
1 online resource (391 pages) :
,
digital, PDF file(s).
Ausgabe:
1st ed.
ISBN:
1-280-95894-4
,
9786610958948
,
90-485-0368-X
,
1-4175-2172-4
Serie:
Film culture in transition
Inhalt:
A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.
Anmerkung:
Title from publisher's bibliographic system (viewed on 05 Feb 2021).
,
Front matter --
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Table of Contents --
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Part One: Introductions --
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The Impure Cinema: New Hollywood 1967-1976 /
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"The Last Good Time We Ever Had": Remembering the New Hollywood Cinema /
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American Auteur Cinema: The Last - or First - Picture Show? /
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Part Two: Histories --
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The Decade When Movies Mattered /
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A Walking Contradiction (Partly Truth and Partly Fiction) /
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The Exploitation Generation. Or: How Marginal Movies Came in from the Cold /
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New Hollywood and the Sixties Melting Pot /
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Part Three: People and Places --
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Dinosaurs in the Age of the Cinemobile /
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"The Cylinders Were Whispering My Name": The Films of Monte Hellman /
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Nashville Contra Jaws, Or "The Imagination of Disaster" Revisited /
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For Wanda /
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Everybody Knows This Is Nowhere: The Uneasy Ride of Hollywood and Rock /
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Auteurism and War-teurism: Terrence Malick's War Movie /
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Part Four: Critical Debates --
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The Pathos of Failure: American Films in the 1970's: Notes on the Unmotivated Hero [1975] /
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Trapped in the Affection Image: Hollywood's Post-traumatic Cycle (1970-1976) /
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Grim Fascination: Fingers, James Toback, and 1970's American Cinema /
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Allegories of Post-Fordism in 1970's New Hollywood: Countercultural Combat Films, Conspiracy Thrillers as Genre Recycling /
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Bibliography --
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List of Contributors --
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Pictures (with credits) --
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Index of Film Titles
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English
Weitere Ausg.:
ISBN 90-5356-493-4
Weitere Ausg.:
ISBN 90-5356-631-7
Sprache:
Englisch
DOI:
10.1515/9789048503681