UID:
edoccha_9960005047602883
Format:
1 online resource (184 pages) :
,
illustrations (black and white).
ISBN:
0-19-007016-1
,
0-19-007017-X
,
0-19-007015-3
Series Statement:
Oxford scholarship online
Content:
'The Logic of Filtering' offers a media archaeological perspective on sound and music that develops a new analysis of the noise that technologies add to recorded sound. It shows that this noise is not a disturbance but a central characteristic of recorded music that shapes how listeners relate to it.
Note:
"This is an open access publication, available online and distributed under the terms of a Creative Commons Attribution - Non Commercial - No Derivatives 4.0 International licence (CC BY-NC-ND 4.0)"--Home page.
,
Also issued in print: 2021.
,
Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: The Noise of Sound Media -- 1. The Myth of Perfect Fidelity -- 2. The Logic of Noise Reduction -- 3. Ideal and Technical Filters -- 4. Time and Transience -- 5. The Logic of Filtering -- Conclusion: The "Other Music" -- Bibliography and Discography -- Index.
Additional Edition:
ISBN 0-19-007013-7
Language:
English
