UID:
edoccha_9961574137002883
Format:
1 online resource (154 pages)
Edition:
First edition.
ISBN:
3-031-56118-X
Note:
Intro -- Preface -- Contents -- List of Figures -- Introduction -- Part I: Breaking the Mold -- Part II: Anxieties and Sexualities -- Part III: Breaking the Binary -- Part IV: Depatriarchalizing -- An Invitation and Our Hope -- Part I: Breaking the Mold -- Chapter 1: Danzón (María Novaro, 1991, Mexico/Spain) -- Production -- Cast -- Synopsis -- Director's Take: María Novaro (1951-) -- Commentary and Context -- "Teach Me to Dance as a Woman, for Me to be Able to Understand You [Enséñame como mujer para que te entienda]" -- From Object to Subject: Julia's Gaze as an Expression of Desire and Agency -- Bibliography -- Chapter 2: Brincando el Charco: Portrait of a Puerto Rican (Frances Negrón-Muntaner. 1994, U.S./Puerto Rico) -- Production -- Cast -- Synopsis -- Director's Take: Frances Negrón-Muntaner (1966-) -- Commentary and Context -- Fragmenting History: Photographs and Testimonies -- Interrupting History: Intertitles -- Bibliography -- Part II: Anxieties and Sexualities -- Chapter 3: Tan de Repente (Diego Lerman. 2002, Argentina) -- Production -- Cast -- Synopsis -- Director's Take: Diego Lerman (1976-) -- Commentary and Context -- The Journey of Mobilization -- A New Kind of Domesticity -- Bibliography -- Chapter 4: Madeinusa (Claudia Llosa. 2006, Perú) -- Production -- Cast -- Synopsis -- Director: Claudia Llosa (1976-) -- Commentary and Context -- It's Holy Time! -- The Attic with "Valuable" Objects -- Bibliography -- Chapter 5: Qué Tan Lejos (Tania Hermida. 2006, Ecuador) -- Production -- Cast -- Synopsis -- Director's Take: Tania Hermida (1969-) -- Commentary and Context -- A Touristic Site -- Ecuador from a Distance -- Bibliography -- Part III: Breaking the Binary -- Chapter 6: La Mission (Peter Bratt, 2009, USA) -- Production -- Cast -- Synopsis -- Director: Peter Bratt (1962-) -- Commentary and Context.
,
Che's Trouble with Alternative Masculinities -- Differing Opinions Over the Acceptance of Queer Identities -- Bibliography -- Chapter 7: Entre Nos (Paola Mendoza and Gloria La Morte. 2009, USA) -- Production -- Cast -- Synopsis -- Director's Take: Paola Mendoza (1981-) and Gloria La Morte (1981-) -- Commentary and Context -- Female Empowerment Through a Boy's Gaze -- The Small Things Are the Big Things -- Bibliography -- Chapter 8: La Hija Natural (Dir. Leticia Tonos. 2011, República Dominicana) -- Production -- Cast -- Synopsis -- Director's Take: Leticia Tonos (Santo Domingo, Dominican Republic) -- Commentary and Context -- "Alejandra, yo soy tu padre [I Am Your Father]": The Telenovela as a Referential Framework -- Gender Roles and the Supernatural -- Bibliografía -- Part IV: Depatriarchalizing -- Chapter 9: Mosquita y Mari (Aurora Guerrero. 2012, USA) -- Production -- Cast -- Synopsis -- Director's Take: Aurora Guerrero (California, the United States) -- Commentary and Context -- Coming of Age as Chicanas: Everyday Life -- Family Resistance and Self-discovery -- Bibliography -- Chapter 10: Pelo Malo (Mariana Rondón. 2013, Venezuela) -- Production -- Cast -- Synopsis -- Director's Take: Mariana Rondón (1966-) -- Commentary and Context -- Between Narratives: The Small Gestures of Chavismo -- Queerness and Race: Junior's Struggle -- Gender and Queerness: Marta's Struggle -- Bibliography -- Chapter 11: Bruising for Besos (Adelina Anthony, 2016, USA) -- Production -- Cast -- Synopsis -- Director's Take: Adelina Anthony (1973-) -- Commentary and Context -- The Past in the Present in Reflection of the Future Through Puppets -- Pronouncing Queer Desire -- Daña, the Red Woman: Who Cannot be Controlled and Loses Control -- Bibliography -- Index.
Additional Edition:
ISBN 3-031-56117-1
Language:
English
