UID:
edocfu_9958352802302883
Format:
1 online resource (290 p.)
Edition:
Course Book
ISBN:
9781400862221
Series Statement:
Princeton Legacy Library ; 1209
Content:
In these compelling new essays, leading critics sharpen our understanding of the narrative structures that convey meaning in fiction, taking as their point of departure the narratological positions of Dorrit Cohn, Grard Genette, and Franz Stanzel. This collection demonstrates how narratology, with its attention to the modalities of presenting consciousness, offers a point of entry for scholars investigating the socio-cultural dimensions of literary representations. Drawing from a wide range of literary texts, the essays explore the borderline between fiction and history; explain how characters are constructed by both author and reader through the narration of consciousness; show how gender shapes narrative strategies ranging from the depiction of consciousness through intertextuality to the representation of the body; address issues of contingency in narrative; and present a debate on the crucial function of person in the literary text. The contributors are Stanley Corngold, Gail Finney, Kte Hamburger, Paul Michael Ltzeler, David Mickelsen, John Neubauer, Thomas Pavel, Jens Rieckmann, Shlomith Rimmon-Kenan, Judith Ryan, Franz Stanzel, Susan Suleiman, Maria Tatar, David Wellbery, and Larry Wolff.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Note:
Frontmatter --
,
CONTENTS --
,
LIST OF CONTRIBUTORS --
,
Introduction --
,
PART ONE: HISTORY, FICTION, AND THE CLAIMS OF WRITING: THE AUTO/BIOGRAPHICAL MODE --
,
ONE. Between History and Fiction: On Dorrit Cohn’s Poetics of Prose --
,
TWO. Fictionality in Historiography and the Novel --
,
THREE. Fictionality, Historicity, and Textual Authority: Pater, Woolf, Hildesheimer --
,
FOUR. Mocking a Mock-Biography: Steven Millhauser’s Edwin Mullhouse and Thomas Mann’s Doctor Faustus --
,
FIVE. Habsburg Letters: The Disciplinary Dynamics of Epistolary Narrative in the Correspondence of Maria Theresa and Marie Antoinette --
,
SIX. Authenticity as Mask: Wolfgang Hildesheimer’s Marbot --
,
PART TWO: THE SUBJECT IN QUESTION: THE NARRATION OF CONSCIOUSNESS --
,
SEVEN. Interpretive Strategies, Interior Monologues --
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EIGHT. Consonant and Dissonant Closure in Death in Venice and The Dead --
,
NINE. Identity by Metaphors: A Portrait of the Artist and Tonio Kröger --
,
TEN. Patterns of Justification in Young Törless --
,
PART THREE: GENDER, DIFFERENCE, AND NARRATION --
,
ELEVEN. Crossing the Gender Wall: Narrative Strategies in GDR Fictions of Sexual Metamorphosis --
,
TWELVE. Feminist Intertextuality and the Laugh of the Mother: Leonora Carrington’s Hearing Trumpet --
,
THIRTEEN. Telling Differences: Parents vs. Children in “The Juniper Tree” --
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FOURTEEN. No No Nana: The Novel as Foreplay --
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PART FOUR: THE DISCOURSE OF NARRATOLOGY --
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FIFTEEN. Contingency --
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SIXTEEN. A Narratological Exchange --
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INDEX
,
In English.
Language:
English
DOI:
10.1515/9781400862221
URL:
https://doi.org/10.1515/9781400862221
URL:
https://www.degruyter.com/isbn/9781400862221
