UID:
almafu_9958352996802883
Format:
1 online resource
ISBN:
9781442627383
Series Statement:
Studies in Early English Drama
Content:
Thirteen essays amplifying the content of selected conference papers, and a fourteenth submitted at the editors' invitation, make up REED in Review
Note:
Frontmatter --
,
Contents --
,
Abbreviations --
,
Introduction --
,
PART 1. Foundation and Methodology --
,
The Founding of Records of Early English Drama --
,
Birthing the Concept: The First Nine Years --
,
‘Practice Makes Perfect’: Policies for a Cross-Disciplinary Project --
,
PART 2. REED’s ‘Performance’: Impact and Response --
,
Gathering in the Name of the Outlaw: REED and Robin Hood --
,
What Hath REED Wrought? REED and Patronage --
,
Margins to the Centre: REED and Shakespeare --
,
Everything’s Back in Play: The Impact of REED Research on Elizabethan Theatre History --
,
PART 3. Whither REED? --
,
REED and the Record Office: Tradition and Innovation on the Road to Access --
,
Roles in Life: The Drama of the Medieval Guilds --
,
Crossing the Border: The Provincial Records of Southeast Scotland --
,
REED and the Possibilities of Web Technologies --
,
Herodotus in the Labyrinth: REED and Hypertext --
,
Thinking Outside the Bard: REED, Repertory Canons, and Editing Early English Drama --
,
Using REED: A Select Bibliography --
,
Contributors --
,
Index
Language:
English
DOI:
10.3138/9781442627383
URL:
https://doi.org/10.3138/9781442627383
URL:
https://doi.org/10.3138/9781442627383
