Kooperativer Bibliotheksverbund

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Format: 1 online resource

ISBN: 9781442684270

Content: From the Canadian Indian Act to Freud's Totem and Taboo to films such as Nanook of the North, all manner of cultural artefacts have been used to create a distinction between savagery and civilization. In Defamiliarizing the Aboriginal, Julia V. Emberley examines the historical production of aboriginality in colonial cultural practices and its impact on the everyday lives of indigenous women, youth, and children.Adopting a materialist-semiotic approach, Emberley explores the ways in which representational technologies - film, photography, and print culture, including legal documents and literature - were crucial to British colonial practices. Many indigenous scholars, writers, and artists, however, have confounded these practices by deploying aboriginality as a complex and enabling sign of social, cultural, and political transformation. Emberley gives due attention to this important work, studying a wide range of topics such as race, place, and motherhood, primitivism and violence, and sexuality and global political kinships. Her multidisciplinary approach ensures that Defamiliarizing the Aboriginal will be of interest to scholars and students of cultural studies, indigenous studies, women's studies, postcolonial and colonial studies, literature, and film.

Note: Frontmatter -- , Contents -- , Illustrations -- , Preface -- , Introduction: Of Soft and Savage Bodies in the Colonial Domestic Archive -- , 1. An Origin Story of No Origins: Biopolitics and Race in the Geographies of the Maternal Body -- , 2. The Spatial Politics of Homosocial Colonial Desire in Robert Flaherty’s Nanook of the North -- , 3. Originary Violence and the Spectre of the Primordial Father: A Biotextual Reassemblage -- , 4. Post/Colonial Masculinities: The Primitive Duality of ‘ma, ma, man’ in Pat Barker’s Regeneration Trilogy -- , 5. The Family in the Age of Mechanical Reproduction: Aboriginality in the Photographic Archive -- , 6. Inuit Mother Disappeared: The Police in the Archive, 1940–1949 -- , 7. The Possibility of Justice in the Child’s Body: Rudy Wiebe and Yvonne Johnson’s Stolen Life: The Journey of a Cree Woman -- , 8. Genealogies of Difference: Revamping the Empire? or, Queering Kinship in a Transnational Decolonial Frame -- , Conclusion: De-signifying Kinship -- , Notes -- , Bibliography -- , Illustration Credits -- , Index , In English.

Language: English

DOI: 10.3138/9781442684270

URL: https://doi.org/10.3138/9781442684270