UID:
edocfu_9958353186702883
Format:
1 online resource
ISBN:
9781442620926
Content:
The contributors examine varied topics such as the analysis of periodicity; the articulation of social, political, and cultural production in theatre; the re-evaluation of texts, performances, and canons; and demonstrations of how interdisciplinarity inflects theatre and its practice.
Note:
Frontmatter --
,
Contents --
,
Introduction --
,
Modern Drama/Modernity’s Drama --
,
Aesthetic Prejudice in Modern Drama --
,
Why Modern Plays Are Not Culture: Disciplinary Blind Spots --
,
Quo Vadis? Theatre Studies at the Crossroads --
,
Physiologies of the Modern: Zola, Experimental Medicine, and the Naturalist Stage --
,
Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama --
,
Luminous Writing, Embodiment, and Modern Drama: Mme Blavatsky and Bertolt Brecht --
,
The Haunted Houses of Modernity --
,
Hauntings: Anxiety, Technology, and Gender in Peter Pan --
,
Bodies, Revolutions, and Magic: Cultural Nationalism and Racial Fetishism --
,
Modernism and Genocide: Citing Minstrelsy in Postcolonial Agitprop --
,
August Wilson, Doubling, Madness, and Modern African-American Drama --
,
Works Cited --
,
Works Cited
Language:
English
DOI:
10.3138/9781442620926
URL:
https://doi.org/10.3138/9781442620926
