UID:
edocfu_9958353918802883
Umfang:
1 online resource (502p.)
ISBN:
9783110274691
Serie:
European Avant-Garde and Modernism Studies ; 2
Inhalt:
Regarding the Popular charts the complex relationship between the avant-gardes and modernisms on the one hand and popular culture on the other. Covering (neo-)avant-gardists and modernists from various European countries, this second volume in the series European Avant-Garde and Modernism Studies explores the nature of so-called “low” culture, dealing with aspects as diverse as the everyday and the folkloric. Regarding the Popular charts the many ways in which the allegedly “high” modernists and avant-gardists looked at and represented the “low”. As such, this book will appeal to all those with an interest in the dynamic of modern experimental arts and literatures.
Anmerkung:
Frontmatter --
,
About the Series / Sur la collection / Zur Buchreihe --
,
Contents --
,
Introduction --
,
Given the Popular --
,
Terms and Canons --
,
“The Madness of the Unexpected”: Duchamp's Readymades and the Survival of “High” Art --
,
Instrument of Inspiration: High/Low Illusions in British Experimental Music and After --
,
English Rebels in Art Circles: The New Age in its Elitist and Populist Dimension --
,
Kinesthetic Modernism? Rhythms, Bodies and Motion across the Great Divide --
,
Art, Nation and Political Discourse --
,
Culture en quête de repères --
,
Folklore --
,
Dada, Carnival and Revolution --
,
Spuren der Volksdichtung in der ungarischen Avantgardeliteratur --
,
Musical Boxes: The Impersonal Avant-Garde Poem, Everyday Language and Popular Song --
,
What Did They Need Jazz For? Jazz Music in Polish Interwar Poetry --
,
Der junge Borges und die ultraistische Avantgarde. Das Populäre als Taktik --
,
The Theatre of Ramón del Valle-Inclán: Between Modernism and the Popular Imagination --
,
The Everyday --
,
Sitting Pretty: Modernism and the Municipal Chair in the Photographs of André Kertész and Robert Doisneau --
,
Everyday Life in André Breton's Trilogy. Nadja, Vases Communicants and L'Amour fou --
,
Entre mime et possession: récits surréalistes et fictions populaires --
,
The Blood of a Poet: Cocteau, Surrealism and the Politics of the Vulgar --
,
“Broken Clouds – also by Instalments”: Mediating Art and the Everyday, the High and the Low in the Finnish Literary Avant-Garde of the 1960s --
,
The “Abakans” and the Feminist Revolution --
,
A Glossier Shade of Brown: Imi Knoebel's Raum 19 --
,
Commerce --
,
Selling Dada: New York Dada (1921) and Its Dialogue with the European Avant-Garde --
,
Wyndham Lewis and the Inter-War Popular Novel: Potboilers and Gunman Bestsellers --
,
Le Douanier Rousseau, Fantômas & Cie: La culture populaire, ressort majeur des Soirées de Paris --
,
Between the Old and the New: The Surrealist Outmoded as a Radical Third Term --
,
„The Hidden Network of the Avant-Garde”: der farbige Werbefilm als eine zentraleuropäische Erfindung? --
,
Media --
,
Lessons from the Press: Picasso and Mass Print Media, 1911-37 --
,
Film und Filmprojekte in der Wiener Avant-Garde Zeitschrift Ma (1920-25) --
,
„Produktion – Reproduktion”: Echos von László Moholy-Nagys Medientheorie in der Geschichte von Film und Medienkunst --
,
Modernism in the Ether: Middlebrow Perspectives on European Literature in Flemish Radio Talks (1936-37) --
,
A Second Avant-Garde without a First: Greek Avant-Garde Artists in the 1960s and 1970s --
,
Mass Media Avant-Garde: Dislocating the Hi/Lo in the Swedish 1960s --
,
A Tentative Embrace. Superstudio's New Media Nomads --
,
Index
,
In English.
Weitere Ausg.:
ISBN 978-3-11-027456-1
Sprache:
Englisch
DOI:
10.1515/9783110274691
URL:
https://doi.org/10.1515/9783110274691