UID:
edocfu_9958355137102883
Format:
1 online resource (232p.)
Edition:
Reprint 2012
ISBN:
9783110899870
Series Statement:
Approaches to Applied Semiotics [AAS] ; 3
Note:
Frontmatter --
,
Foreword --
,
Contents --
,
Part one: Music as sign --
,
Chapter 1. Is music sign? --
,
Chapter 2. Signs in music history, history of music semiotics --
,
Chapter 3. Signs as acts and events: On musical situations --
,
Part two: Gender, biology, and transcendence --
,
Chapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach --
,
Chapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --
,
Chapter 6. Body and transcendence in Chopin --
,
Part three: Social and musical practices --
,
Chapter 7. Voice and identity --
,
Chapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --
,
Notes --
,
References --
,
Name index
,
In English.
Additional Edition:
ISBN 978-3-11-187623-8
Additional Edition:
ISBN 978-3-11-017226-3
Language:
English
DOI:
10.1515/9783110899870
URL:
https://doi.org/10.1515/9783110899870
