UID:
edocfu_9958936668202883
Umfang:
1 online resource :
,
99 halftones
ISBN:
9789048527557
Serie:
Film Culture in Transition
Inhalt:
This book brings together two major filmmakers—German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard—to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create “film as theory.”
Anmerkung:
Frontmatter --
,
Contents --
,
Preface To The English Edition --
,
Introduction --
,
1. Le Film Qui Pense --
,
2. The Camera As Brush—Film And Painting --
,
3. Deviation As Norm—Notes On The Essay Film --
,
4. Cut—Interlude In The Editing Room --
,
5. Taking Pictures—Photography And Film --
,
6. Two Or Three Ways Of Speaking With The Hands --
,
Conclusion --
,
Conclusion --
,
Acknowledgments --
,
Illustration Credits --
,
Index Of Film Titles --
,
Index Of Names
,
In English.
Sprache:
Englisch
DOI:
10.1515/9789048527557
URL:
https://doi.org/10.1515/9789048527557
