UID:
edocfu_9958960590702883
Format:
1 online resource :
,
30 halftones
ISBN:
9789048534005
Series Statement:
Film Theory in Media History
Content:
This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theater. Articulated by film theorists, filmmakers, biologists, and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.
Note:
Frontmatter --
,
Table of Contents --
,
Acknowledgments --
,
Introduction: ‘The sanguine, pulsating, enterprising modern life’: Cinema and Vitalism --
,
1. Vitalism and Abstraction: Rhythm and Non-Organic Life from Hans Richter to Sergei Eisenstein --
,
2. New Worlds: Uexküll’s Umwelt Theory at the Movies --
,
3. The Interweaving of World and Self: Transformations of Mood in Expressionist and Kammerspiel Film --
,
4. Open Bodies, Open Stories: Evolution, Narration, and Spectatorship in Post-war Film Theory --
,
Conclusion: Vital Media --
,
Bibliography --
,
Index of Films --
,
Index of Names --
,
Index of Subjects
,
In English.
Language:
English
DOI:
10.1515/9789048534005
URL:
https://www.degruyter.com/doi/book/10.1515/9789048534005
