UID:
almafu_9959227298102883
Format:
1 online resource (235 p.)
Edition:
1st pbk. ed.
ISBN:
1-280-88049-X
,
9786613721808
,
0-472-02900-2
Series Statement:
Theater--theory/text/performance
Content:
Sheds light on the critical role that women artists have played in the evolution of the American avant-garde.
Note:
Description based upon print version of record.
,
Toward a feminist historiography of American avant-garde performance: theories and contexts -- Nude descending Bleecker Street: Baroness Elsa Von Freytag-Loringhoven and performing gender in New York dada -- Avant-garde performance, collage aesthetics, and feminist historiographies in Gertrude Stein's the mother of us all -- Between material and matrix: Yoko Ono's cut piece and the unmaking of collage -- Between dialectics, decorum, and collage: sabotaging Schneemann at the Dialectics of Liberation Congress, London 1967 -- Forget fame: Valerie Solanas, the simplest surrealist act, and the (re)assertion of avant-garde priorities -- Conclusion: Collage and community.
,
English
Additional Edition:
ISBN 0-472-03520-7
Language:
English
