UID:
almafu_9959241546502883
Format:
1 online resource (578 p.)
Edition:
1st ed.
ISBN:
1-283-10991-3
,
9786613109910
,
0-8195-7182-2
,
0-585-38754-0
Series Statement:
Music/culture
Content:
A lively comparison of musical meaning in Ohio's Jazz, metal, and hard rock scene.
Note:
"Wesleyan University Press."
,
Cover; Half title; Title; Copyright; Dedication; Contents; List of Illustrations; Acknowledgments; 1. An Introduction to Central Issues in Ethnomusicology and Folklore: Phenomenology and Practice Theory; I. The Ethnography of Musical Practice; 2. Commercial Hard Rock in Cleveland, Ohio: Dia Pason and Max Panic; 3. Heavy Metal in Akron, Ohio: Winter's Bane and Sin-Eater; 4. Two Jazz Scenes in Northeast Ohio; II. The Organization of Musical Experience and the Practice of Perception; 5. The Organization of Attention in Two Jazz Scenes
,
6. The Organization of Attention in the Rock and Metal Scenes7. Tonality, Temporality, and the Intending Subject (1): Chris Ozimek and "Turn for the Worse"; 8. Tonality, Temporality, and the Perceptual Subject (2): Dann Saladin and "The Final Silencing"; 9. Conclusions: Perceptual Practice and Social Context; III. Music, Experience, and Society: Death Metal and Deindustrialization in an American City; 10. Death Metal Perspectives: Affect, Purpose, and the Social Life of Music; 11. A Critical Dialogue on the Politics of the Metal Underground: Race, Class, and Consequence
,
12. Conclusion: The Scope of EthnomusicologyNotes; Glossary; Selected Bibliography; Index
,
English
Additional Edition:
ISBN 0-8195-6371-4
Language:
English
