UID:
edocfu_9959245024502883
Format:
1 online resource (787 p.)
ISBN:
90-04-31043-6
Series Statement:
Intersections, Volume 41
Content:
Personification, or prosopopeia , the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
Note:
Description based upon print version of record.
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Preliminary Material --
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Personification: An Introduction /
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1 Personification Allegory and Embodied Cognition /
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2 Dante and St. Francis: Shaping Lives, Reshaping Allegory /
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3 Personification, Power, and the Body in Late Medieval and Early Modern English Poetry /
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4 The Personification of the Human Subject in Spenser’s The Faerie Queene /
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5 Framework, Personification, and Pisanello’s Poetics /
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6 The Triumph of Truth in an Age of Confessional Conflict /
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7 The Mystical Experience—Between Personification and Incarnation: The Idea vitae Teresianae iconibus symbolicis expressa (Antwerp, Jacob Mesens: 1680s) /
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8 From the Parade to the Stage: Evolution and Significance of Personifications in Lyon’s Sotties (1566–1610) /
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9 Personification in Sir David Lyndsay’s A Satire of the Three Estates /
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10 Both One and the Other: The Educational Value of Personification in the Female Humanist Theatre of Peeter Heyns (1537–1598) /
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11 Dirty from Behind, Pearly in Front: Lady World in Rhetoricians’ Drama /
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12 Mute Poem, Speaking Picture: The Personification of the Paragone in Shakespeare’s Timon of Athens /
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13 The Politics of Personification in the Jacobean Lord Mayors’ Shows /
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14 Figured Personification and Parabolic Embodiment in Jan David’s Occasio arrepta, neglecta /
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15 Double Meaning of Personification in Early Modern Thesis Prints of the Southern Low Countries: Between Noetic and Encomiastic Representation /
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16 Vermeer, the Art of Meditation, and the Allegory of Faith /
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17 Personifications of Caritas as Reflexive Figures /
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18 Maarten van Heemskerck’s Caritas: Personifying Virtue, Animating Stone with Paint, Imaging the Image Debate /
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19 Abraham Bloemaert and Caritas: A Lesson in Perception /
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20 The Duchess and the Cadaver: Doubling and Microarchitecture in Late Medieval Art (with Alice Chaucer and John Lydgate) /
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21 ‘But You are Blind, and Know Not What is in You’: ‘A.L.’, The Fraudulent Judge, and the Coerced Conscience /
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22 Precarious Personification: Fortuna in the Artist’s Cabinet /
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23 Producing the Legible Body: Personification, the Beholder, and Tiepolo’s Würzburg Frescos /
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24 The Personification of Africa with an Elephant-head Crest in Cesare Ripa’s Iconologia (1603) /
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25 The Four Continents in Seventeenth-Century Embroidery and the Making of English Femininity /
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Index Nominum.
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English
Additional Edition:
ISBN 90-04-31042-8
Language:
English
