Kooperativer Bibliotheksverbund

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Format: 1 online resource (205 p.) : , 13 illustrations

ISBN: 9780822390565

Content: From 1970 until his death in 2000, Hafiz Asad ruled Syria with an iron fist. His regime controlled every aspect of daily life. Seeking to preempt popular unrest, Asad sometimes facilitated the expression of anti-government sentiment by appropriating the work of artists and writers, turning works of protest into official agitprop. Syrian dissidents were forced to negotiate between the desire to genuinely criticize the authoritarian regime, the risk to their own safety and security that such criticism would invite, and the fear that their work would be co-opted as government propaganda, as what miriam cooke calls “commissioned criticism.” In this intimate account of dissidence in Asad’s Syria, cooke describes how intellectuals attempted to navigate between charges of complicity with the state and treason against it.A renowned scholar of Arab cultures, cooke spent six months in Syria during the mid-1990s familiarizing herself with the country’s literary scene, particularly its women writers. While she was in Damascus, dissidents told her that to really understand life under Hafiz Asad, she had to speak with playwrights, filmmakers, and, above all, the authors of “prison literature.” She shares what she learned in Dissident Syria. She describes touring a sculptor’s studio, looking at the artist’s subversive work as well as at pieces commissioned by the government. She relates a playwright’s view that theater is unique in its ability to stage protest through innuendo and gesture. Turning to film, she shares filmmakers’ experiences of making movies that are praised abroad but rarely if ever screened at home. Filled with the voices of writers and artists, Dissident Syria reveals a community of conscience within Syria to those beyond its borders.

Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction -- , 1. “Culture Is Humanity’s Highest Need” -- , As If . . . -- , Slogans, Slogans Everywhere -- , Freedom and Democracy -- , 2. Our Literature Do es No t Leave the Co untry -- , Nadia al-Ghazzi -- , Colette al-Khuri -- , 3. No Such Thing as Women’s Literature -- , Ulfat Idilbi -- , Salons and Mallahat al-Khani -- , Nadia Khust and the Nadwa -- , 4. Commissioned Criticism -- , Culture after the Fall of the Wall -- , Commissioned Criticism -- , The Fantasy of Choice -- , 5. Dissident Performances -- , Performing Dissidence -- , The Ghoul -- , Historical Miniatures -- , 6. Filming Dreams -- , The Extras -- , Dreaming Features -- , Documenting Dreams -- , 7. Lighten Yo ur Step -- , Ibrahim Samuʾil -- , Waiting -- , Ghassan al-Jabaʿi -- , Lessons from a Rogue State -- , 8. Leaving Damascus -- , Postscript -- , Notes -- , Bibliography -- , Index , In English.

Language: English

DOI: 10.1515/9780822390565

URL: https://doi.org/10.1515/9780822390565

URL: https://www.degruyter.com/isbn/9780822390565