UID:
edocfu_9959739507202883
Format:
1 online resource (186 pages)
ISBN:
1-5013-1893-4
Note:
This is not a remix --
,
Introduction --
,
Critical approach --
,
Copy, a brief history --
,
The ghost in the digital machine --
,
The trouble with media history --
,
"Again, back": Repetition and music's materiality --
,
The rhetoric of remix --
,
Remix as trope --
,
The extended remix: In the press --
,
The extended remix: Scholarly use --
,
Lawrence Lessig's "Remix Culture" --
,
Why the history of remix matters --
,
Disco edits: Analog antecedents and network bias --
,
What a difference a record makes --
,
Interrupting the rhetoric of remix --
,
Disco edits, a technical distinction --
,
Walter Gibbons, the break, and the edits that made disco --
,
Let your body talk --
,
Are samples copies? --
,
Parasites, pirates, and permission --
,
Digital revival and an analog persistence --
,
Credit to the edit --
,
The new romantics --
,
Piracy's long history --
,
MP3 blogs as social media --
,
Material media: MP3 blogs as artifacts and practices --
,
Provenance as metadata --
,
Rethinking participation and the folk aesthetic --
,
Countercultures and anticommercialism --
,
Networking authenticity --
,
Analog antecedents: Harry Smith's mystical collection --
,
Copies, networks, and a poetics of encounter --
,
Copies and the aesthetics of circulation.
Additional Edition:
ISBN 1-5013-1891-8
Language:
English
