UID:
edocfu_9960118238802883
Format:
1 online resource (xiii, 265 pages) :
,
digital, PDF file(s).
ISBN:
1-78744-701-4
Series Statement:
Screen cultures: German film and the visual
Content:
Documents the rich allusiveness and intellectual probity of experimental filmmaking-a form that thrived despite having been officially banned-in East German socialism's final years.
Note:
Title from publisher's bibliographic system (viewed on 20 Mar 2020).
,
Introduction: moving images on the margins -- Art, experimentation, and the avant-garde in East Germany -- Heraklesmaschine: Lutz Dammbeck's experimental cinema and the expropriation of the senses -- Lines of communication: mail art and the connectivity of experimental film -- Heart, horn, skin, shrine: film and the autoperforating body of/at work -- Film experiments, design anthropology, and the politics of vision: Yana Milev's Theory of practice -- Conclusion: images of moving margins.
Additional Edition:
ISBN 1-64014-068-9
Language:
English
DOI:
10.1515/9781787447011
