UID:
almafu_9960119273702883
Format:
1 online resource (xi, 275 pages) :
,
digital, PDF file(s).
ISBN:
1-316-87739-6
,
1-316-87998-4
,
1-316-87490-7
Series Statement:
Cambridge studies in Romanticism
Content:
Bringing together studies in theater history, print culture, and literature, this book offers a new consideration of Romantic-period writing in Britain. Recovering a wide range of theatrical criticism from newspapers and periodicals, some of it overlooked since its original publication in Regency London, Jonathan Mulrooney explores new contexts for the work of the actor Edmund Kean, essayist William Hazlitt, and poet John Keats. Kean's ongoing presence as a figure in the theatrical news presented readers with a provocative re-imagining of personal subjectivity and a reworking of the British theatrical tradition. Hazlitt and Keats, in turn, imagined the essayist and the poet along similar theatrical lines, reframing Romantic prose and poetics. Taken together, these case studies illustrate not only theater's significance to early nineteenth-century Londoners, but also the importance of theater's textual legacies for our own re-assessment of 'Romanticism' as a historical and cultural phenomenon.
Note:
Title from publisher's bibliographic system (viewed on 04 Jan 2019).
,
Theater and the daily news -- Britain's theatrical press 1800-1830 -- Edmund Kean's controversy -- Hazlitt's romantic occasionalism -- Keats, Kean, and the poetics of interruption.
Additional Edition:
ISBN 1-107-18387-1
Language:
English
Subjects:
General works
,
English Studies
Keywords:
Bibliografie
URL:
Volltext
(URL des Erstveröffentlichers)
URL:
https://doi.org/10.1017/9781316874905
