Kooperativer Bibliotheksverbund

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Umfang: 1 online resource (417 pages)

Ausgabe: Fourth edition.

ISBN: 1-00-332420-7 , 1-000-91453-4 , 1-003-32420-7 , 1-000-91450-X

Inhalt: "This fully revised fourth edition offers a comprehensive introduction to the roles, procedures, and logistics of the film and digital video production process. Author Lorene M. Wales takes the reader from development and pre-production all the way to post-production, marketing and distribution, offering a hands-on approach suitable for projects of any budget and scale, explaining every stage and key role in the life of a film. Focusing on how key roles shape the film production process, Wales guides filmmakers through the A-Z of making a film in today's industry and draws from insights and experiences from working filmmakers throughout. The book is practically focused and includes a wealth of sample checklists, schedules, accounting paperwork, and downloadable forms and templates for practical use. The fourth edition has been fully revised and updated to include a new chapter on how to break into the industry, expanded and updated sections on distribution (including theatrical and streaming platforms), set safety, colour grading, and legal matters, as well as updated insights from a diverse range of industry professionals. This is the ideal text for Undergraduate students studying entry-level film and video production, producing and cinematography, along with aspiring and working professionals in film and digital production. The updated companion website includes video tutorials, a personnel hierarchy, a guide to mobile apps useful during production, PowerPoints for instructor use, and a complete set of sample production forms and templates for download, including schedules, accounting paperwork, releases, and production checklists"--

Anmerkung: Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- Preface -- Acknowledgments -- Part I Development and Pre-Production -- 1 Media Development -- Executive Producer -- Qualities of a Good EP -- Acquiring the Script -- Working With Writers -- Developing the Package -- The Pitch Deck -- The Business Plan -- Executive Summary -- The Company -- The Project -- Schedule -- Industry Statement -- Marketing -- Distribution -- Return on Investment (ROI) -- Distribution Agreement -- The Budget -- Locations -- Business Plan Checklist -- Acquisitions, Contracts, and Deals -- Unions, Guilds, and Organizations -- Summary -- Reference List -- 2 The Producers -- The Producer's Job -- Working With First-Time Directors -- Associate Producer -- Assistant to the Producer -- Qualities of a Good Assistant -- Field Producing -- Producing Live Events -- Producing Documentary -- Content Producers -- Producing Animation -- The Psychology of Producing -- Producing Is Leading -- Unions, Guilds, and Organizations -- Summary -- Reference List -- 3 Script Breakdown and Scheduling -- Scheduling a Film: Step-by-Step Overview -- The Script Breakdown -- What Are the Elements? -- Other Categories -- A Note on Continuity -- Breaking the Script Into "Eighths" -- The Breakdown Sheet -- The Strip or Production Board -- Creating a Schedule -- Putting the Schedule Together -- Schedules to Print -- Day-Out-of-Days -- Updating Your Schedule -- There's an App for That! -- Summary -- 4 The Budget -- Budgeting Software -- Budget Structure -- Padding the Budget -- The Contingency -- Fringe Benefits -- Union Versus Nonunion -- Local Versus Distant -- The Budgeting Process -- Budget Disbursement and Tracking -- Managing the Budget -- Good Budgeting Versus Bad Budgeting -- Budget Line Items -- Tax Incentives -- Conditions for Receiving Incentives. , There's an App for That! -- Summary -- Reference List -- 5 The Production Team and Staff -- Unit Production Manager -- Qualities of a Good UPM -- Production Office Coordinator -- Qualities of a Good POC -- Local Production Coordinator -- Assistant Production Office Coordinator -- Qualities of a Good APOC -- Travel/Movement -- Office Production Assistants -- Paper Production Assistant -- Receptionist -- Qualities of Good PAs and Receptionists -- Head Accountant -- First Assistant Accountant, Second Assistant Accountant, and Accounting Apprentice -- Qualities of a Good Accounting Staff -- Technical Advisor -- Script Supervisor -- Qualities of a Good Script Supervisor -- Craft Services -- The Craft Services Person -- Choices for Good Craft Services -- Catering -- Hiring Catering Companies -- The Last Supper -- Product Placement -- There's an App for That! -- Unions, Guilds, and Organizations -- Summary -- Reference List -- 6 The Production Office -- Production Office Considerations -- Setting Up the Office -- Running the Production Office -- Keeping It Running Smoothly -- The Meet-and-Greet -- The Wrap Party -- Wrapping Out the Production Office -- Production Lists -- Summary -- Part II Production -- 7 The Director's Team and 2nd Unit -- Director -- First Assistant Director -- Qualities of a Good 1st AD -- The 1st AD-Director Relationship -- What the 1st AD Wants From the Director -- Production Meetings -- 2nd Assistant Director -- A Note on Directing Extras -- Qualities of a Good 2nd AD -- Walkie-Talkie Etiquette -- 2nd 2nd Assistant Director and/or DGA Trainee -- Set Production Assistants -- Qualities of Good 2nd 2nds, DGA Trainees, and Set Pas -- Director's Assistant -- Choreographer -- Dialogue Coach/Dialect Coach -- Storyboard Artist -- Set Operations -- Closed Set -- Set Protocol -- The Set Box -- AD Paperwork -- 2nd Unit. , Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 8 Casting, Actors, Extras, and Stunt People -- Casting Department -- Casting Director -- Local Casting Director -- Extras Casting -- The Background Coordinator -- Casting Assistants -- How to Run a Casting Session -- Screen Tests -- Rehearsals and Training -- Fittings -- Working With Minors -- Working With Animals -- The Taft-Hartley -- Categories of Actors -- Day Players Versus Weekly Players -- Stunts -- Stunt Coordinator -- Stunt Person -- The Cast Read-Through -- Working with SAG-AFTRA -- Unions, Guilds, and Organizations -- Summary -- Reference List -- 9 The Art Department -- Production Designer -- Art Director -- Set Decorator -- Lead Person and Swing Gang -- Art Department Coordinator -- Set Designer -- Set Dresser -- Props -- Assistant Props -- Armorer -- Concept Artist -- Illustrator/Graphic Design -- Draftsperson -- Art Department Production Assistants -- Assistant to Production Designer and Art Director -- Construction Coordinator -- Construction Foreman -- Construction Laborers -- Standby Painter -- Standby Greensperson -- Operations -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 10 The Camera Department -- Director of Photography -- The Digital Imaging Technician (DIT) -- DIT - The Typical Day -- Qualities of a Good DIT -- The Data Wrangler -- Camera Operator -- First Assistant Cameraperson -- Second Assistant Cameraperson -- Clapper and Loader -- Camera Production Assistant -- Video Village -- Steadicam Operator -- Special Operators -- The Camera Package -- Operations -- Stock -- Dailies -- Behind-the-Scenes -- Tests -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 11 Grip and Electric -- Gaffer -- Best Boy Electric -- Electrics. , Generator Operator -- Rigging Crew -- Key Grip -- Best Boy Grip -- Company Grips -- Dolly Grip -- Crane Operator -- Operations for Grip and Electric -- The Grip Package -- The Lighting Package -- Laying Dolly Track -- Truck Wrap -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- 12 The Sound Department -- Sound Mixer -- Boom Operator -- Cable Puller/Person -- Sound Production Assistant -- The Sound Package -- Coms -- Operations -- Playback -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 13 Visual Effects and Special Effects -- Special Effects -- Full-Scale Physical Effects -- Weather Effects -- Special Effects Coordinator -- Operations on Set -- Visual Effects -- Visual Effects Producer -- VFX Artist -- VFX Editor -- VFX Data Wrangler -- Match Mover -- VFX Editorial Assistant -- Virtual Production TD -- Modelers -- Operations -- The Pipeline -- Unions, Guilds, and Organizations -- Summary -- Reference List -- 14 The Wardrobe Department -- Costume Designer -- Wardrobe Supervisor -- Men's Costumer/Women's Costumer -- Seamstress -- Wardrobe Production Assistant -- Assistant to the Costume Designer -- Operations -- Other Issues -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 15 Makeup and Hair -- Key Makeup -- Other Makeup Personnel -- Key Hair -- Assistant Hair/Additional Hair/Extra Hair -- Operations -- Qualities of a Good Makeup and Hair Team -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 16 Locations -- Location Manager -- Assistant Location Manager -- Location Production Assistant -- Location Scout - the Person -- Location Scout - the Event -- Location Considerations -- The Technical Scout -- Maps -- Location Services -- Location Paperwork -- Unions, Guilds, and Organizations. , There's an App for That! -- Summary -- Reference List -- 17 The Transportation Department -- Transportation Coordinator -- Transportation Captain -- More Transportation Crew -- Qualities of a Good Transportation Team -- Operations -- Picture Vehicles -- Production Vehicles -- Unions, Guilds, and Organizations -- Summary -- Part III Post-Production and Beyond -- 18 Post-Production -- Post-Production Supervisor -- Editor -- Assistant Editors -- Sound Designer -- Sound Editor -- Dialogue Editor -- Sound Effects Editor -- Music Editor -- ADR Editor -- Looping/ADR -- Re-Recording Mixers -- The Sound Mix -- The Post-Production Process -- The Digital Workflow -- Color Correction -- Main Titles and End Credits -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 19 Music -- Licensing Rights -- The Music Licensing Process -- Split Rights -- Music in the Public Domain -- Other Ways to Get Music -- Music Supervisor -- Composer -- Conductor -- Arranger/Orchestrator -- Copyist -- The Scoring Session -- Soundtrack Album -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- 20 Safety on Set -- OSHA -- Safety Officer/Manager/Coordinator -- Qualities of a Good Safety Manager -- The Set Medic -- Safety in Pre-Production -- Issues or Hazards -- Weapon Safety During Production -- The Safety Check -- In Case of Emergency -- Unions, Guilds, and Organizations -- There's an App for That! -- Summary -- Reference List -- 21 Legal Issues -- Copyright and Intellectual Property -- How Long Does Copyright Last? -- Copyright Infringement -- Fair Use -- A Note on Lawsuits -- Parodies -- Clearances -- Releases -- Contracts for Cast, Crew, and Services -- Insurance -- Workers' Compensation -- Completion Bond -- Why You Should Get a Lawyer -- Getting the Right Lawyer -- Summary -- Reference List. , 22 Marketing and Distribution.

Weitere Ausg.: Print version: Wales, Lorene M. The Complete Guide to Film and Digital Production Milton : Taylor & Francis Group,c2023 ISBN 9781032348650

Sprache: Englisch

DOI: 10.4324/9781003324201