UID:
edocfu_9961557127002883
Umfang:
1 online resource (313 p.)
Ausgabe:
1st ed.
ISBN:
1-136-05781-1
,
1-136-05782-X
,
1-282-64605-2
,
9786612646058
,
0-08-095180-5
Inhalt:
This book tells you how, why, and when you should perform certain audio postproduction tasks within Soundtrack Pro 3 while editing your video in the Final Cut Studio suite. Intertwining video editing workflows with audio editing workflows for video editors using Final Cut Studio 3, it also describes in-depth the audio postproduction process as well as the specific tools used for editing and mixing audio within Soundtrack Pro 3. The final section is designed as an audio postproduction ""cook-book"", describing typical audio post scenarios with detailed workflows for dealing with them
Anmerkung:
Includes index.
,
Cover; Dedications; Title; Copyright; CONTENTS; Introduction; Chapter 1 The Video Editor; Know Your Material; Workflow; Picture Lock; Sound Editing with Final Cut Pro and Sound Editors; The Audio Post Personnel; Chapter 2 What is Audio Post?; David Bondelevitch; Dialog Editing; Music Editing; Musical Sequences; Music-driven Sequences; Sequences that Benefit from Music; Test Screenings; The Music Crew; Sound Effects Editing; Background Effects (Ambiences); Synch Effects (Also Called 'Hard Effects' or 'Cut Effects'); Foley; Re-Recording Mixing; Deliverables
,
Chapter 3 Expectations of the Video EditorInstallation; Install Location; Surround Impulse Response Files; Sound Effects; Music Beds; Music Loops; Sending Sequences to Soundtrack; Explanation of Send to Soundtrack Options; Send to Soundtrack Pro Audio File Project; Send to Soundtrack Pro Multitrack Project; Send to Soundtrack Pro Script; The Conform Process; Other Thoughts on the Video Editor Role; Chapter 4 Basic Audio Editing; Project Types; General Interface; Default Panes; The Center Section; The Bottom Pane; The Right Pane; Audio Editing; The Basics; The Process Menu
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Editing in the Timeline and Using Menu OptionsHeads Up Displays; Summary; Chapter 5 Introduction to Dynamics; Defining Dynamics; Dynamics Processors; Dynamics Concepts; Soundtrack's Dynamics Processors; The Compressor; The Limiter Plug-in; The Expander; The Noise Gate; Advanced Dynamics Plug-ins; The Adaptive Limiter; The Multipressor; The Surround Compressor; The Enveloper; General Application of Dynamics; Audio Preparation; Micro-dynamics; General Dynamics; Chapter 6 Dynamic Standards; Soundtrack as the Right Tool for the Job; Theatrical Mixing; Broadcast Mixing; Mixing for DVD
,
Mixing for the WebThe Goniometer and Correlation Meter; Other Thoughts; Chapter 7 Spectral Tools; Equalizers; Filters; The Analyzer; The Interface; The Fat Equalizer; Single Band Filters; Using the Equalizers; Reducing Rumble; Reducing Hissing Noise; Boosting Diction; Removing the Sound of a Room; Carving the Music to Make Room for Other Audio; The Telephone Effect; Adding Fullness; Matching Another Sound; Helping a Sound Effect to Fit Properly; Using the Analyzer Tool; Matching the Sound of Audio Clips; The Lift Equalization Tool; What Can/Can't the Matching Process Accomplish?; SubBass
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Explanation of SubBassSubBass Warning; Using SubBass; Chapter 8 Time Effects; Reverb; A Brief History of Reverbs; Soundtrack Pro Reverb; PlatinumVerb; Space Designer; Reverb Usage; Delay Effects; Echo Effect; Special Warped Sound Effect; Other Delays; Chapter 9 Mixing; Tools for Mixing; Automation; Control Surfaces; Mixing; Levels; Panning; Processing; Master Levels - Submixes; Surround Sound Options; Mixing Advice; Summary; Chapter 10 Exporting Features of Soundtrack Pro 3; Overview; Exporting Multitrack Session Data; Exporting Single Audio Files; Exporting Multitrack Session Mixes (Stereo)
,
The Exported Items Menu
,
English
Weitere Ausg.:
ISBN 1-138-41942-7
Weitere Ausg.:
ISBN 0-240-81173-9
Sprache:
Englisch
DOI:
10.4324/9780080951805
