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  • 1
    UID:
    almahu_9949216088902882
    Format: 1 online resource.
    ISBN: 9780190466992 (ebook) :
    Series Statement: Oxford handbooks online
    Content: This handbook takes on the task of examining the history of music listening over the past two hundred years. It uses the "art of listening" as a leitmotif encompassing an entanglement of interdependent practices and discourses about a learnable mode of perception. The art of listening first emerged around 1800 and was adopted and adapted across the public realm to suit a wide range of collective listening situations from popular to serious art forms up to the present day. Because this is a relatively new subject in historical research, the volume combines case studies from several disciplines in order to investigate whether, how, and why practices of music listening changed. Focusing on a diverse set of locations and actors and using a range of historical sources, it attempts to historicize and reconstruct the evolution of listening styles to show the wealth of variants in listening.
    Note: The Art of Listening and its Histories: An Introduction / , Amateurs and Auditors: Listening to the British Musical Festival, 1810-1835 / , Designated Attention: The Transformation of Music Announcements in Leipzig's Concert Life, 1781-1850 / , The Well-Mannered Auditor: Zones of Attention and the Imposition of Silence in the Salon of the Nineteenth Century / , The Crisis of Listening in Interwar Germany / , Architectural Acoustics and the Trained Ear in the Arts. A Journey from 1730 to 1830 / , Music in the Air - Listening in the Streets: Popular Music and Urban Listening Habits in Berlin around 1900 / , Between large capacities and sociological aesthetics: Musical theatre buildings in modernized Symmetries in Spaces, Symmetries in Listening: Musical Theater Buildings in Europe around 1900 / , From the Music-Telegraph to the Opera-Telephone—Listening to Music in the Late Nineteenth and Early Twentieth Centuries / , First Re-Creations: Psychology, Phonographs, and New Cultures of Listening at the Beginning of the Twentieth Century / , Between Personal Experience and Public Discourse: Reproduced Music and the Politics of Listening in the Twentieth Century / , Who Cares if you Listen? Researching Audience Behaviour(s) in Nineteenth-Century Paris / , Capturing the Landscape Within: On Writing the History of Experience / , Listening and Possessing / , Is Listening to Music an Art—or Not? / , The Intimate Art of Listening: Music in the Private Sphere during the Nineteenth Century / , The Problem of Eclectic Listening in French and German Concerts, 1860-1910 / , Listening as a Practice of Everyday Life: The Munch Philharmonic Orchestra and its Audiences in the Second World War / , Turning Liebhaber into Kenner: Forkel's Lectures on the Art of Listening, c. 1780-1785 / , Concert Listening the British Way? Program Notes and Victorian Culture /
    Additional Edition: Print version : ISBN 9780190466961
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufsatzsammlung ; Konferenzschrift
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