Umfang:
Online-Ressource (1 online resource (216 p.))
,
digital, PDF file(s).
Ausgabe:
Online-Ausg.
ISBN:
9780511470233
Serie:
Cambridge Studies in Ethnomusicology
Inhalt:
The tradition of Persian art music embodies twelve modal systems, known as dastgahs. Each dastgah represents a complex of skeletal melodic models on the basis of which a performer produces extemporised pieces. The dastgahs revolve around unspecified central nuclear melodies which the individual musician comes to know through experience and absorption. It is a personal and elusive tradition of great subtlety and depth. Through extensive research, including interviews with leading musicians and recording over one hundred hours of music, Hormoz Farhat has unravelled the art of the dastgah. In his study Professor Farhat analyses the intervallic structure, melodic patterns, modulations, and improvisations within each dastgah, and examines the composed pieces which have become a part of the classical repertoire in recent times.
Anmerkung:
Title from publishers bibliographic system (viewed on 18 Feb 2013)
Weitere Ausg.:
ISBN 9780521305426
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe Farhat, Hormoz, 1930 - The Dastgāh concept in Persian music Cambridge [u.a.] : Cambridge Univ. Pr., 1990 ISBN 052130542X
Weitere Ausg.:
ISBN 052130542x
Sprache:
Englisch
Schlagwort(e):
Dastgāh
;
Iran
;
Musik
;
Iran
;
Kunstmusik
DOI:
10.1017/CBO9780511470233
URL:
Volltext
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URL:
Volltext
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