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    UID:
    gbv_1679151126
    Format: 1 Online-Ressource (viii, 186 Seiten) , Illustrationen
    ISBN: 9781501345890 , 9781501345876
    Content: "Why are filmmakers such as J.J. Abrams, Christopher Nolan and Quentin Tarantino continuing to shoot their movies on celluloid in the digital age of cinema? Are these filmmakers choosing the photochemical process of celluloid images purely for aesthetics purposes? Or could their preference for celluloid have something to do with analogue's intimate connection to the subject of lack and desire? Capturing Digital Media: Perfection and Imperfection in Contemporary Film and Television examines the relationship between the perfection of the digital form and the imperfection of the human subject in recent film and television. Using a number of a key psychoanalytic terms and new media concepts, Capturing Digital Media shows that the necessity of imperfection is where we locate the human subject of desire within the binary logic of the digital. It argues that the perfection of digital must be wounded by forms of imperfection in order to make media texts such as film and television desirable. But even as films and television texts incorporate forms of imperfection, digital perfection remains a powerful attraction in our engagement with moving images, such as high definition screens, spectacular digital effects, and state-of-the-art sound."--
    Content: Chapter 7 Time-Shifting, Dreams, and Uncertainty in The SopranosChapter 8 Please Set Your Belief to 16:9; Conclusion; Notes; Index
    Content: Intro; Title Page; Copyright Page; Contents; Acknowledgements; Introduction: Analog and Digital Forms and Star Wars; Chapter 1 Perfecting the Imperfect: Children of Men and War of the Worlds; Chapter 2 Time-Looping Narrative: Source Code, Looper, and Edge of Tomorrow; Chapter 3 The Database, Gaming, and First-Person Shooter Perspective in Gus Van Sant's Elephant; Chapter 4 Subjective Vision and the Intimate Spectacle: Cloverfield; Chapter 5 Making Sense of Mumblecore; Chapter 6 The Politics of Homemade Filmmaking: Y Tu Mama Tambie n and End of Watch
    Note: Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501345869
    Additional Edition: Erscheint auch als Druck-Ausgabe Connelly, Thomas J., 1971 - Capturing digital media New York, NY : Bloomsbury Academic, 2019 ISBN 9781501345869
    Additional Edition: ISBN 1501345869
    Language: English
    Keywords: Film ; Fernsehsendung ; Aufzeichnung ; Digitalisierung ; Electronic books
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