Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    UID:
    gbv_1767214421
    Format: xiv, 366 Seiten , Illustrationen
    ISBN: 9781911239574 , 9781911239581
    Content: Eastmancolor and branding -- Institutions and Eastmancolor -- Comedy and satire -- Social realism and contemporary drama -- The colour of crime -- The colour fantastic : fantasy, horror and science fiction -- Historical and costume films -- Musicals, pop music and the concert film -- Colour and collaboration -- Art, experimental/avant grade practices -- Amateur colour filmmaking -- Short, documentary and advertising films -- Sex and Eastmancolor -- Cultures and practices of preservation and restoration.
    Content: "The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to My Beautiful Laundrette (1985), and from Goldfinger (1964) to Dance with a Stranger (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges"--
    Note: Includes bibliographical references and index
    Additional Edition: ISBN 9781911239604
    Additional Edition: ISBN 9781911239598
    Additional Edition: Erscheint auch als Online-Ausgabe Street, Sarah, 1958 - Colour films in Britain London : BFI, 2021 ISBN 9781911239741
    Additional Edition: ISBN 9781911239598
    Additional Edition: ISBN 9781911239604
    Language: English
    Keywords: Großbritannien ; Eastman Kodak Company ; Farbfilm ; Geschichte 1950-1985
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages