Format:
1 online resource (xxxvii, 574 pages)
ISBN:
9781315096704
,
9781351574884
Content:
part PART I LIFE AND CONTEXT -- chapter 1 Hans-Joachim Schulze (1985), 'Johann Christoph Bach (1671-1721), -- chapter 2 Wilhelm C. Junghans (1970), 'Johann Sebastian Bach als Schuler der Partikularschule zu St. Michaelis in Luneburg, oder Luneburg eine Pflegstatte kirchlicher Musik', in Programm des Johanneums zu Luneburg, Ostern 1870. Luneburg: Stern'schen Buchdruckerei, pp. 3-42. -- chapter 3 Paul S. Minear (2002), 'The Musician versus the Grammarian: An Early Storm Warning', in The Bible and the Historian: Breaking the Silence about God in Biblical Studies, Nashville, TN: Abingdon Press, pp. 25-36. -- chapter 4 George J. Buelow (1974-75), 'In Defence of J.A. Scheibe against J.S. Bach', Proceedings of the Royal Music Association, 101, pp. 85-100. -- chapter 5 Christoph Trautmann (1971), 'J.S. Bach: New Light on His Faith', Concordia Theological Monthly, 42, pp. 88-99. -- chapter 6 Robin A. Leaver (2006), 'Motive and Motif in the Church Music of Johann Sebastian Bach', Theology Today, 63, pp. 38-47. -- part PART II SOURCE STUDIES -- chapter 7 Alfred Durr (1962), -- chapter 8 Friedrich Blume (1962), 'Antwort von Friedrich Blume', Musik und Kirche, 32, pp. 153-6. -- chapter 9 Arthur Mendel (1989), 'Personliches zur Geschichte der Jungeren Bach-Forschung ( -- chapter 10 Gerhard Herz (1990), 'Yoshitake Kobayashi's Article -- part PART III GENRE STUDIES -- chapter 11 Alfred Durr (1967), 'Bach's Chorale Cantatas', in Johannes Riedel (edition), Cantors at the Crossroads: Essays on Church Music in Honor of Walter E. Buszin, St Louis, MO: Concordia Publishing House, pp. 111-20. -- chapter 12 Wolf Hobohm (1973), 'Neue -- chapter 13 Klaus Hafner (1975), 'der Picander-Jahrgang', Bach-Jahrbuch, 61, pp. 70-113. -- chapter 14 William H. Scheide (1980), 'Bach und der Picander-Jahrgang – Eine Erwiderung', Bach-Jahrbuch, 66, pp. 47-51. -- chapter 15 Klaus Hafner (1982), 'Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis', Die Musikforschung, 35, pp. 156-62. -- chapter 16 William H. Scheide (1983), 'Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach', Bach-Jahrbuch, 69, pp. 109-13. -- chapter 17 Arthur Mendel (1963), 'Traces of the Pre-History of Bach's St John and St Matthew Passions', in Walter Gerstenberg, Jan La Rue and Wolfgang Rehm (eds), Festschrift Otto Erich Deutsch zum 80. Geburtstag am 5. September 1963, Kassel: Barenreiter, pp. 31-48. -- chapter 18 Christoph Wolff (2007), '''Et Incarnatus -- chapter 19 Georg von Dadelsen (2007), 'Friedrich Smend's Edition of the B-minor Mass by J.S. Bach', in Yo Tomita and Tanja Kovacevic (eds), trans. James A. Brokaw, II, International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book, Belfast: School of Music and Sonic Arts, Queen's University, Belfast, pp. 404-24. Revision of article originally published in Bach, 20, 1989, pp. 49-74. -- chapter 20 Yoshitake Kobayashi (2007), 'Universality in Bach's B Minor Mass: A Portrait of Bach in his Final Years', in Yo Tomita and Tanja Kovacevic (eds), trans. Tanja Kovacevic, International Symposium: Understanding Bach's B-minor Mass. Discussion Book 2: Resource Book. Belfast: School of Music and Sonic Arts, Queen's University, Belfast, pp. 387-403. -- chapter 21 Alfred Durr (1992), 'Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme', Die Musikforschung, 45, pp. 117-38. -- chapter 22 Hans-Joachim Schulze (1989), 'The Parody Process in Bach's Music: An Old Problem Reconsidered', Bach, 20(1), pp. 7-21. -- chapter 23 Robin A. Leaver (1990), 'Parody and Theological Consistency: Notes on Bach's A-Major Mass', Bach, 21(3), pp. 30-43. -- chapter 24 Robert L. Marshall (1976), 'Bach the Progressive: Observations on His Later Works', The Musical Quarterly, 62, pp. 313-57. -- chapter 25 Frederick Neumann (1985), 'Bach: Progressive or Conservative and the Authorship of the Goldberg Aria', The Musical Quarterly, 71, pp. 281-94. -- chapter 26 Robert L. Marshall (1989), 'Postscript', in Robert L. Marshall, The Music of Johann Sebastian Bach: The Sources, The Style, The Significance, New York: Schirmer Books, pp. 54-8; 302-3. -- chapter 27 Yo Tomita (2001), 'Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration', Bach, 32(1), pp. 17-43. -- part PART IV PERFORMANCE PRACTICE -- chapter 28 Alfred Durr (1987), 'Performance Practice of Bach's Cantatas: Original Performance Material; Original Rehearsals; Original Performance Forces; Original Performance Style; Conclusions for Modern Performance', American Choral Review, 29(3-4), pp. 27-34. -- chapter 29 Joshua Rifkin (1982), 'Bach's Chorus: A Preliminary Report', The Musical Times, 123, pp. 747-54. -- chapter 30 Rudolf Rasch (1985), -- chapter 31 Frederick Neumann (1994), 'Some Performance Problems of Bach's Unaccompanied Violin and Cello Works', in Mary Ann Parker (edition), Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann, Stuyvesant, NY: Pendragon Press, pp. 19-48.
Note:
Includes bibliographical references and indexes
Additional Edition:
ISBN 9780754628910
Additional Edition:
Erscheint auch als Druck-Ausgabe ISBN 9780754628910
Language:
English
DOI:
10.4324/9781315096704
