UID:
almafu_9961358418502883
Format:
1 online resource (xii, 294 pages) :
,
digital, PDF file(s).
ISBN:
1-80010-139-2
,
1-80010-138-4
Content:
This is the first-ever book about song collectors, music's unsung heroes. They include the Armenian priest who sacrificed his life to preserve the folk music which the Turks were trying to erase in the 1915 Genocide; the prisoner in a Nazi concentration camp who secretly noted down the songs of doomed Jewish inmates; the British singer who went veiled into Afghanistan to learn, record and perform the music the Taliban wanted to silence. Some collectors have been fired by political idealism - Bartok championing Hungarian peasant music, the Lomaxes bringing the blues out of Mississippi penitentiaries, and transmitting them to the world. Many collectors have been priests - French Jesuits noting down labyrinthine forms in eighteenth-century Beijing, English vicars tracking songs in nineteenth-century Somerset. Others have been wonderfully colourful oddballs. Today's collectors are striving heroically to preserve endangered musics, whether rare forms of Balinese gamelan, the wind-band music of Chinese villages, or the sophisticated polyphony of Central African Pygmies. With globalisation, urbanisation and Westernisation causing an irreversible erosion of the world's musical diversity, Michael Church suggests we may be seeing folk music's 'end of history'. Old forms are dying as the conditions for their survival - or replacement - disappear; the death of villages means the death of village musical culture. This ground-breaking book is the sequel to the author's award-winning The Other Classical Musics, and it concludes with an inventory of the musics now under threat, or already lost for ever..
Note:
Title from publisher's bibliographic system (viewed on 15 Dec 2023).
,
Why it all began. From broadsides to Child ballads : songs of the British people ; Orientalists from France : Jesuit priests in Beijing, Salvador-Daniel in Algiers ; Going native in Constantinople : Dimitrie Centemir, the happy hostage -- The birth of ethnomusicology. The song of approach, the pipes of friendship : Alice Fletcher and the Omaha Indians ; "I am now a true Eskimo" : Franz Boas and first principles ; Voice of Armenia : the tragedy of Komitas ; Britain's folk-song revivals, and the contentious Cecil Sharp ; "I in seventh heaven--Perks" : the ineffable Percy Grainger -- Carrying the torch : collectors in Northern and Eastern Europe. "And what does the gentleman want" : B ela Bart ok as song detective ; Girdling the globe : the empire of the Lomaxes ; "I am a white-skinned Aranda man" : Theodor Strehlow's divided self ; The stirring of a thousand bells : Jaap Kunst, Colin McPhee, and gamelan ; Hot mint tea and a few pipes of kif : Paul Bowles in Morocco ; A voice for Greece : Domna Samiou's crusade ; Things that are made to cry : John Blacking and the Venda ; Record companies as collectors : from Folkways to Muziekpublique -- Musical snapshots : the importance of sound archives. Magic in two strings : Central Asia awakes ; Red badge of courage : musicians in Afghanistan ; Out of the womb in Russia : riches awaiting rediscovery ; Three-in-one : the Georgian way ; Small is beautiful : Pygmy polyphony ; It's a physical thing : a Persian musician relocates the radif ; Plucking the winds : Chinese village music today ; Voice, handkerchief, fan : new life for Korea's p'ansori ; "My whole body was singing" : kodo and the taiko drum ; "Intangilble cultural heritage" : UNESCO's lengthening list ; Going, going ... : disappearing musics.
Additional Edition:
ISBN 1-78327-607-X
Language:
English
DOI:
10.1515/9781800101388
