Umfang:
1 Online-Ressource (xii, 223 pages)
,
illustrations
ISBN:
9781526107718
,
1526107716
,
9781526121066
,
1526121069
,
1526107724
,
9781526107725
Inhalt:
For a decade from 1955, Alfred Hitchcock worked almost exclusively with one composer: Bernard Herrmann. From The Trouble with Harry to the bitter spat surrounding Torn Curtain, the partnership gave us some of cinema's most memorable musical moments, taught us to stay out of the shower, away from heights and never to spend time in corn fields. Consequently, fascination with their work and relationship endures fifty years later. This volume of essays explores their tense working relationship as well as their legacy, from crashing cymbals to the sound of 'The Birds'
Anmerkung:
Includes bibliographical references and index
,
Bernard Herrmann: Hitchcock's secret sharer /
,
Hitchcock, music and the mathematics of editing /
,
anatomy of aural suspense in Rope and Vertigo /
,
therapeutic power of music in Hitchcock's films /
,
Lacanian take on Herrmann/Hitchcock /
,
Portentous arrangements: Bernard Herrmann and The Man Who Knew Too Much /
,
On the road with Hitchcock and Herrmann: sound, music and the car journey in Vertigo (1958) and Psycho (1960) /
,
dance to the music of Herrmann: a figurative dance suite /
,
sound of The Birds /
,
Musical romanticism v. the sexual aberrations of the criminal female: Mamie (1964) /
,
murder of Gromek: theme and variations /
,
Mending the Torn Curtain: a rejected score's place in a discography /
,
Herrmann-Hitchcock murder mysteries: post-mortem /
,
How could you possibly be a Hitchcocko-Herrmannian?: Digitally re-narrativising collaborative authorship /
Weitere Ausg.:
ISBN 9780719095863
Weitere Ausg.:
ISBN 0719095867
Weitere Ausg.:
Erscheint auch als Druck-Ausgabe ISBN 9780719095863
Sprache:
Englisch
