Format:
1 Online-Ressource (viii, 335 pages)
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illustrations
ISBN:
9780861969098
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086196909X
Content:
Alternative Projections: Experimental Film in Los Angeles, 1945-1980 is a groundbreaking anthology that features papers from a conference and series of film screenings on postwar avant-garde filmmaking in Los Angeles sponsored by Filmforum, the Getty Foundation, and the University of Southern California's School of Cinematic Arts, together with newly-commissioned essays, an account of the screening series, reprints of historical documents by and about experimental filmmakers in the region, and other rare photographs and ephemera. The resulting diverse and multi-voiced collection is of great importance, not simply for its relevance to Los Angeles, but also for its general discoveries and projections about alternative cinemas
Note:
"Alternative Projections was part of Pacific Standard Time: Art in L.A. 1945-1980. This unprecedented collaboration, initiated by the Getty, brought together more than sixty cultural institutions from across Southern California in 2011 to tell the story of the birth of the L.A. art scene."--Title page recto
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Includes bibliographical references and index
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Historical materials.
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Distribution center for experimental films /
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Personal chronicle: the making of an experimental film /
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A letter from the West Coast /
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Amateur vs. professional /
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Personal state meant /
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A statement /
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Are movies junk /
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Los Angeles Film Festival /
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Seeing is believing /
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Underground movies rise to the surface /
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Students reflect future of cinema /
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Woman as ethnographic filmmaker /
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Mouse enigma: auto-history of a film person /
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Scholarship.
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Scarlet woman on film: Inauguration of the pleasure dome and The Wormwood Star: Kenneth Anger, Curtis Harrington, Marjorie Cameron, and Los Angeles alternative film and culture in the early 1950s /
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Against transparency: Jonas Mekas, Vernon Zimmerman, and the West Coast contribution to the new American cinema /
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Vicarious Vicario: restocking John Vicario's forgotten Shoppers market (1963) /
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Raymond Rohauer and the Society of Cinema Arts (1948-1962): giving the devil his due /
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For love and/or money: exhibiting avant-garde film in Los Angeles 1960-1980 /
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Kent Mackenzie's The exiles: reinventing the real of cinema /
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Taylor Mead, a faggot in Venice Beach in 1961 /
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Ed Ruscha's moving pictures /
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Asco's Super-8 cinema and the specter of muralism /
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Inner-city symphony: Water ritual #1: an urban rite of purification /
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Not just a day job: experimental filmmakers and the special effects industry in the 1970s and 1980s /
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Storm, stress, and structure: the collaborative cinema of Roberta Friedman and Grahame Weinbren /
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Nun notes and deviant longings /
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Currents direct and alternating: Water and power and other works by Pat O'Neill /
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Screenings. - Alternative projections screenings series /
Additional Edition:
ISBN 9780861967155
Additional Edition:
Erscheint auch als Druck-Ausgabe Alternative projections : experimental film in Los Angeles 1945-1980 New Barnet, Herts, [England]: John Libbey Publishing, ©2015 ISBN 9780861967155
Language:
English