Format:
Online-Ressource (viii, 249 p)
Edition:
Online-Ausg. 2009 Electronic reproduction; Available via World Wide Web
ISBN:
0520233743
,
0520241444
Series Statement:
American crossroads 15
Content:
Herman Gray takes a sweeping look at black popular culture over the past decade to explore culture's role in the push for black political power and social recognition. In a series of linked essays, he finds that black artists, scholars, musicians, and others have been instrumental in reconfiguring social and cultural life in the United States and he provocatively asks how black culture can now move beyond a preoccupation with inclusion and representation. Gray considers how Wynton Marsalis and his creation of a jazz canon at Lincoln Center acted to establish cultural visibility and legitimacy
Note:
Includes bibliographical references and index
,
Contents; Acknowledgments; Introduction: Strategies, Tactics, Moves; PART I: Strategies; 1. The New Conditions of Black Cultural Production; 2. Jazz Tradition, Institutional Formation, and Cultural Practice; 3. The Jazz Left; PART II: Tactics; 4. Where Have All the Black Shows Gone?; 5. Television and the Politics of Difference; 6. Different Dreams, Dreams of Difference; 7. Cultural Politics as Outrage(ous); PART III: Moves; 8. Is (Cyber) Space the Place?; 9. Music, Identity, and New Technology; Conclusion: Cultural Moves; Notes; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N
,
OP; Q; R; S; T; U; V; W; Y
,
Electronic reproduction; Available via World Wide Web
Additional Edition:
ISBN 9780520241442
Additional Edition:
Erscheint auch als Druck-Ausgabe Cultural Moves : African Americans and the Politics of Representation
Language:
English
URL:
Volltext
(lizenzpflichtig)
