Format:
Online-Ressource (262 p)
Edition:
Online-Ausg.
ISBN:
9780231530828
Series Statement:
Film and Culture Series
Content:
Closely reading the films of Jean-Luc Godard and Alain Resnais, Hunter Vaughan establishes a connection between phenomenology and image-philosophy to analyze the moving image and its challenge to conventional modes of thought. Striving to establish a clear foundation for the recent field of inquiry called ?film-philosophy," he devises a systematic theory of film's philosophical function and its deconstruction of classic oppositional concepts, such as subject and object, real and imaginary, and interior and exterior.After merging Maurice Merleau-Ponty's theory of subject-object relations with G
Note:
Description based upon print version of record
,
Dedication; { Contents }; List of Illustrations; Acknowledgments; Introduction: Where Film Meets Philosophy; 1. Phenomenology and the Viewing Subject; 2. Film Connotation and the Signified Subject; 3. Sound, Image, and the Order of Meaning; 4. Alain Resnais and the Code of Subjectivity; 5. Jean-Luc Godard and the Code of Objectivity; Conclusion: Where Film and Philosophy May Lead; Notes; Bibliography; Index;
Additional Edition:
ISBN 9780231161329
Additional Edition:
Erscheint auch als Druck-Ausgabe Where Film Meets Philosophy Godard, Resnais, and Experiments in Cinematic Thinking
Language:
English
Keywords:
Electronic books
