Format:
Online Ressource (7028 KB, 620 S.)
Edition:
1. Aufl.
ISBN:
3110334003
Content:
Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry. Günter Berghaus, University of Bristol,UK.
Content:
Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry
Note:
Description based upon print version of record
,
Editorial; Section 1: Critical responses to Exhibitions, conferences and publications; The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013; The Centenary of 1913, or Russian Futurism 'as such': A Conference at the University of Geneva on 10-13 April 2013; Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013; La poética de la vanguardia; Sound and Silence in Futurist Poetry; Marinetti i futuryzm w Polsce; Action
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Futurism and Modernist MagazinesNew Research into Anarchism and Futurism; Section 2: Research Reports on Countries and Artistic Disciplines; French Research on Literary Futurism; Section 3: Caricatures and Satires of Futurism in the Contemporary Press; A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912); A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923); The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror"; A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun
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The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' DebateA Caricature of Futurism in the New York Sun (1914); Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh; Section 4: Futurism Studies; The Reception of Futurism in France (1909-1912); Mallarmé and His Futurist 'Heir' Marinetti; Futurism in the Netherlands, 1909-1940; No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia
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The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia GiuliaKara-Darvish and Armenian Futurism; The Reception of Italian Futurism in Hungarian Painting and Literature; The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after; Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism; Futurist Influences in the Work of Guillermo de Torre; The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933); Theodor Däubler: A Mediator between Florentine Futurism and German Modernism
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Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon CoburnSection 5: Bibliography; A Bibliography of Publications on Futurism, 2011-2013; Section 6: Back Matter; List of Illustrations and Provenance Descriptions; Notes on Contributors; Name Index; Subject Index; Geographical Index
Additional Edition:
ISBN 3110334100
Additional Edition:
ISBN 9783110334104
Additional Edition:
ISBN 9783110334005
Additional Edition:
Print version International Yearbook of Futurism Studies 2014
Language:
English
Keywords:
Electronic books
URL:
Volltext
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